An Unknown Philosopher by Peter Brandl and a Model for Simeon

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F25%3AN0000018" target="_blank" >RIV/00023281:_____/25:N0000018 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

An Unknown Philosopher by Peter Brandl and a Model for Simeon

Popis výsledku v původním jazyce

The contribution presents a previously unknown painting by Peter Brandl in The Hermitage in Sankt Petersburg, depicting a philosopher counting his arguments on his fingers [3]. Stylistically, this work joins the two paintings in the National Gallery in Prague, Brandl’s Bust of a Discoursing Apostle and Simeon with the Infant Jesus, all painted in Brandl’s expressive, gestural ‘rough’ manner. I suggest that Brandl’s finger-painted pictures were not created in the ‘rough’ manner because they date several years earlier than the paintings in the ‘rough’ manner and a preserved finger-painting by Cornelis Ketel is executed in quite a fine manner. I present also a mezzotint print by Abraham Bloteling (1640–1690), which was Brandl’s model for the head of Simeon in his painting Simeon with the Infant Jesus. Brandl may have painted his pictures in the ‘rough’ manner to help pay off his debts faster.

Název v anglickém jazyce

An Unknown Philosopher by Peter Brandl and a Model for Simeon

Popis výsledku anglicky

The contribution presents a previously unknown painting by Peter Brandl in The Hermitage in Sankt Petersburg, depicting a philosopher counting his arguments on his fingers [3]. Stylistically, this work joins the two paintings in the National Gallery in Prague, Brandl’s Bust of a Discoursing Apostle and Simeon with the Infant Jesus, all painted in Brandl’s expressive, gestural ‘rough’ manner. I suggest that Brandl’s finger-painted pictures were not created in the ‘rough’ manner because they date several years earlier than the paintings in the ‘rough’ manner and a preserved finger-painting by Cornelis Ketel is executed in quite a fine manner. I present also a mezzotint print by Abraham Bloteling (1640–1690), which was Brandl’s model for the head of Simeon in his painting Simeon with the Infant Jesus. Brandl may have painted his pictures in the ‘rough’ manner to help pay off his debts faster.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Petr Brandl : nové kontexty

ISBN

978-80-7035-885-6

Počet stran výsledku

21

Strana od-do

210-231

Počet stran knihy

319

Název nakladatele

Národní galerie v Praze

Místo vydání

Praha

Kód UT WoS kapitoly

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