Alfons Mucha - The Pavilion of Bosnia and Hercegovina at the Exposition Universelle 1900
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023442%3A_____%2F16%3AN0000004" target="_blank" >RIV/00023442:_____/16:N0000004 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Alfons Mucha - The Pavilion of Bosnia and Hercegovina at the Exposition Universelle 1900
Popis výsledku v původním jazyce
In its first section, the book traces the phenomenon of world expositions in the second half of the 19th century, with a focus on the largest and for a long time the most important world’s fair held in 1900 in Paris. All the other texts are devoted chiefly to the exposition’s Pavilion of Bosnia and Herzegovina, which was also a political manifestation of sorts, as the Austrian Monarchy wished to demonstrate the progress that the previously underdeveloped region of the Balkans had achieved under Vienna’s administration. The pavilion was constructed after the plans of the Czech architect Karel Pánek and most of the interior decoration was the work of Alphonse Mucha, another Czech artist living in Paris. His large canvases, which hung on all four walls of the upper storey, depicted the history of these lands, reflecting their strong influence of various religions and cultures: Paganism, Classical and Christian traditions, and Islam. Contrary to the pavilion as such (as was also the case of the pavilions representing other countries, including their interiors), Mucha’s paintings have survived and are now in the possession of the Museum of Decorative Arts in Prague. Following their partial restoration, the paintings have been shown to the public on various occasions since 1998 at exhibitions held in Prague, Vienna, Montpelier and Munich. The book was published by UPM in partnership with The Luka Praha Association, under the auspices of the Embassy of Bosnia and Herzegovina in the Czech Republic.
Název v anglickém jazyce
Alfons Mucha - The Pavilion of Bosnia and Hercegovina at the Exposition Universelle 1900
Popis výsledku anglicky
In its first section, the book traces the phenomenon of world expositions in the second half of the 19th century, with a focus on the largest and for a long time the most important world’s fair held in 1900 in Paris. All the other texts are devoted chiefly to the exposition’s Pavilion of Bosnia and Herzegovina, which was also a political manifestation of sorts, as the Austrian Monarchy wished to demonstrate the progress that the previously underdeveloped region of the Balkans had achieved under Vienna’s administration. The pavilion was constructed after the plans of the Czech architect Karel Pánek and most of the interior decoration was the work of Alphonse Mucha, another Czech artist living in Paris. His large canvases, which hung on all four walls of the upper storey, depicted the history of these lands, reflecting their strong influence of various religions and cultures: Paganism, Classical and Christian traditions, and Islam. Contrary to the pavilion as such (as was also the case of the pavilions representing other countries, including their interiors), Mucha’s paintings have survived and are now in the possession of the Museum of Decorative Arts in Prague. Following their partial restoration, the paintings have been shown to the public on various occasions since 1998 at exhibitions held in Prague, Vienna, Montpelier and Munich. The book was published by UPM in partnership with The Luka Praha Association, under the auspices of the Embassy of Bosnia and Herzegovina in the Czech Republic.
Klasifikace
Druh
B - Odborná kniha
CEP obor
AL - Umění, architektura, kulturní dědictví
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2016
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
ISBN
978-80-7101-154-5
Počet stran knihy
167
Název nakladatele
Uměleckoprůmyslové museum v Praze
Místo vydání
Praha
Kód UT WoS knihy
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