Tabernacle in the Shape of a Polygonal Temple - Baroque tabernacle from the workshop of a pupil of the famous Venetian sculptor and carver Andrea Brustolon in the new exhibition of the UPM in Prague

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023442%3A_____%2F22%3AN0000021" target="_blank" >RIV/00023442:_____/22:N0000021 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.furniturehistorysociety.org/newsletters/" target="_blank" >https://www.furniturehistorysociety.org/newsletters/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Tabernacle in the Shape of a Polygonal Temple - Baroque tabernacle from the workshop of a pupil of the famous Venetian sculptor and carver Andrea Brustolon in the new exhibition of the UPM in Prague

Popis výsledku v původním jazyce

Preparations of the new permanent exhibition was a good opportunity to search in the depositories and present some hitherto overlooked exhibits whose quality can be confirmed or newly revealed only by a thorough restoration research. In the final selection of exhibits, the choice fell on a 160 cm high wooden tabernacle in the form of a temple – a small temple centrepiece with a cupola on an octagonal plan. The tabernacle was reborn in the museum’s restoration studio when it was decided to add this unusual piece to the selected collection of Mannerist and Baroque display cabinets. The assumption that the tabernacle was made in northern Italy and that its brilliant carvings were the work of a highly trained sculptor-carver was confirmed by the discovery of extensive authentic inscriptions inside the carcase, revealed when it was dismantled during restoration – this work was created in 1745 by Frà Francesco da Belluno, a Capuchin cabinetmaker and carver who was a pupil of Andrea Brustolon, an important sculptor and carver of the Venetian Baroque.

Název v anglickém jazyce

Tabernacle in the Shape of a Polygonal Temple - Baroque tabernacle from the workshop of a pupil of the famous Venetian sculptor and carver Andrea Brustolon in the new exhibition of the UPM in Prague

Popis výsledku anglicky

Preparations of the new permanent exhibition was a good opportunity to search in the depositories and present some hitherto overlooked exhibits whose quality can be confirmed or newly revealed only by a thorough restoration research. In the final selection of exhibits, the choice fell on a 160 cm high wooden tabernacle in the form of a temple – a small temple centrepiece with a cupola on an octagonal plan. The tabernacle was reborn in the museum’s restoration studio when it was decided to add this unusual piece to the selected collection of Mannerist and Baroque display cabinets. The assumption that the tabernacle was made in northern Italy and that its brilliant carvings were the work of a highly trained sculptor-carver was confirmed by the discovery of extensive authentic inscriptions inside the carcase, revealed when it was dismantled during restoration – this work was created in 1745 by Frà Francesco da Belluno, a Capuchin cabinetmaker and carver who was a pupil of Andrea Brustolon, an important sculptor and carver of the Venetian Baroque.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Furniture History Newsletter

ISSN

1366-722X

e-ISSN

1366-722X

Svazek periodika

230

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

3

Strana od-do

15-17

Kód UT WoS článku

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EID výsledku v databázi Scopus

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