Whose Naturalism? - Zola, Darwin, Brandes

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F09%3A00200765" target="_blank" >RIV/00216208:11210/09:00200765 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Whose Naturalism? - Zola, Darwin, Brandes

Popis výsledku v původním jazyce

The chapter discusses the problems when referring to the terms of literary history and literary styles interculturally. It poses two central questions: Is such a terminology transfer possible? Of what use is then this terminological tool? The problem isillustrated with the meaning of the term 'naturalism' in the Danish literature, as it was coined by the Danish literary critic Georg Brandes. He had created it with a specific purpose and concept on his mind, however, later when he was introducing the then current French and British authors to the Danish audience, inevitably, he encountered the term again, yet with a different content. French 'naturalisme' and English 'naturalism' have got a different, in some aspect radically different, meaning than 'naturalisme' in the Danish culture. Which naturalism do we then refer to today, when we characterize texts of Danish authors as naturalistic? The chapter seeks to clarify the three different concepts of naturalism by means of quotes from a

Název v anglickém jazyce

Whose Naturalism? - Zola, Darwin, Brandes

Popis výsledku anglicky

The chapter discusses the problems when referring to the terms of literary history and literary styles interculturally. It poses two central questions: Is such a terminology transfer possible? Of what use is then this terminological tool? The problem isillustrated with the meaning of the term 'naturalism' in the Danish literature, as it was coined by the Danish literary critic Georg Brandes. He had created it with a specific purpose and concept on his mind, however, later when he was introducing the then current French and British authors to the Danish audience, inevitably, he encountered the term again, yet with a different content. French 'naturalisme' and English 'naturalism' have got a different, in some aspect radically different, meaning than 'naturalisme' in the Danish culture. Which naturalism do we then refer to today, when we characterize texts of Danish authors as naturalistic? The chapter seeks to clarify the three different concepts of naturalism by means of quotes from a

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2009

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Grand courants d'échanges intellectuels: Georg Brandes et la France, l'Allemagne, l'Angleterre

ISBN

978-3-0343-0304-0

Počet stran výsledku

10

Strana od-do

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Počet stran knihy

454

Název nakladatele

Peter Lang

Místo vydání

Bern

Kód UT WoS kapitoly

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