The Counter Lady' as a Female Prototype: Prime Time Popular Culture, in 1970s and 1980s Czechoslovakia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F10%3A10121221" target="_blank" >RIV/00216208:11210/10:10121221 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.mediaresearch.cro.net/clanak.aspx?l=en&id=378" target="_blank" >http://www.mediaresearch.cro.net/clanak.aspx?l=en&id=378</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Counter Lady' as a Female Prototype: Prime Time Popular Culture, in 1970s and 1980s Czechoslovakia

Popis výsledku v původním jazyce

TV serials became the most important genre of the popular culture in Czecho- slovakia during the period of so-called normalisation - the 1970s and the 1980s. The new post invasion regime shifted the propagandistic emphasis to the popular culture sphere and thus TV serials became a space, where the conscientiously controlled dominant ideology met the mindsets and opinions of the audience. The paper deals with the role of popular culture in the late socialist society, particularly its participation in theprocess of reaching a consensus between the communist authorities and subordinated citizens. How the consensus was created through a restricted consumer lifestyle is discussed. Adding to this is shown the institutional frame of the popular culture's production and function. It is related to the fundamental question of the applicability of cultural studies concepts and theories to the situation of socialist societies. The remainder of the paper focuses attention on the analysis of one of

Název v anglickém jazyce

The Counter Lady' as a Female Prototype: Prime Time Popular Culture, in 1970s and 1980s Czechoslovakia

Popis výsledku anglicky

TV serials became the most important genre of the popular culture in Czecho- slovakia during the period of so-called normalisation - the 1970s and the 1980s. The new post invasion regime shifted the propagandistic emphasis to the popular culture sphere and thus TV serials became a space, where the conscientiously controlled dominant ideology met the mindsets and opinions of the audience. The paper deals with the role of popular culture in the late socialist society, particularly its participation in theprocess of reaching a consensus between the communist authorities and subordinated citizens. How the consensus was created through a restricted consumer lifestyle is discussed. Adding to this is shown the institutional frame of the popular culture's production and function. It is related to the fundamental question of the applicability of cultural studies concepts and theories to the situation of socialist societies. The remainder of the paper focuses attention on the analysis of one of

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Media Research/Medijska Istraživanja

ISSN

1330-6928

e-ISSN

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Svazek periodika

16

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

HR - Chorvatská republika

Počet stran výsledku

23

Strana od-do

31-54

Kód UT WoS článku

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EID výsledku v databázi Scopus

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