Playing with Proximity: Precarious Ethics on Stage in the New Millennium

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F14%3A10290280" target="_blank" >RIV/00216208:11210/14:10290280 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Playing with Proximity: Precarious Ethics on Stage in the New Millennium

Popis výsledku v původním jazyce

The paper first traces some of the discourses that underpin the present discussions of ethics, theatre and performance, beginning with Alan Read's Theatre and Everyday Life: An Ethics of Performance (1993) and Hans-Thies Lehmann's Postdramatic Theatre (1999) and then curling back to the ways in which Emanuel Levinas and Judith Butler's work on proximity and precarity might be used to explore ethics and aesthetics. The second part of the paper investigates how Mark Ravenhill's pool (no Water) (2006), Caryl Churchill's Seven Jewish Children (2009), Tim Crouch's The Author (2009) and David Greig's Fragile (2011) engage with what Lehmann terms 'the politics of perception', responsibility and response-ability within zones of ethical ambivalence and precarity.

Název v anglickém jazyce

Playing with Proximity: Precarious Ethics on Stage in the New Millennium

Popis výsledku anglicky

The paper first traces some of the discourses that underpin the present discussions of ethics, theatre and performance, beginning with Alan Read's Theatre and Everyday Life: An Ethics of Performance (1993) and Hans-Thies Lehmann's Postdramatic Theatre (1999) and then curling back to the ways in which Emanuel Levinas and Judith Butler's work on proximity and precarity might be used to explore ethics and aesthetics. The second part of the paper investigates how Mark Ravenhill's pool (no Water) (2006), Caryl Churchill's Seven Jewish Children (2009), Tim Crouch's The Author (2009) and David Greig's Fragile (2011) engage with what Lehmann terms 'the politics of perception', responsibility and response-ability within zones of ethical ambivalence and precarity.

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Ethical Speculations in Contemporary British Theatre

ISBN

978-1-349-45214-9

Počet stran výsledku

17

Strana od-do

117-134

Počet stran knihy

240

Název nakladatele

Palgrave Macmillan

Místo vydání

Basingstoke

Kód UT WoS kapitoly

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