The Significance of the Concept of Thauma in Patočka's Philosophy of the History of Art

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Significance of the Concept of Thauma in Patočka's Philosophy of the History of Art

Popis výsledku v původním jazyce

In his essays on general history, Patočka locates the thaumatical shake-up together with the beginning of philosophy, politics, and history in classical Greece, when man first stepped back from being and became able to reflect freely upon everything thatexists (his Lebenswelt). The author seeks to demonstrate that a similar thaumatical shake-up also occurred in art history with the coming of the aesthetic era. Here, art no longer serves to affirm a religious or ideological order, as it had in the preceding artistic era; instead, art turns towards the individual, who, by means of the work of art, reflects upon the world he or she lives in. The author concludes that the art of the artistic era has similarities with the pre-historical age in which thaumawas not yet present, and the art of the aesthetic era shares features with the historical age in which, by contrast, thauma is the central factor. Liberating wonder brought the pre-historical age to an end in ancient Greece with the disc

Název v anglickém jazyce

The Significance of the Concept of Thauma in Patočka's Philosophy of the History of Art

Popis výsledku anglicky

In his essays on general history, Patočka locates the thaumatical shake-up together with the beginning of philosophy, politics, and history in classical Greece, when man first stepped back from being and became able to reflect freely upon everything thatexists (his Lebenswelt). The author seeks to demonstrate that a similar thaumatical shake-up also occurred in art history with the coming of the aesthetic era. Here, art no longer serves to affirm a religious or ideological order, as it had in the preceding artistic era; instead, art turns towards the individual, who, by means of the work of art, reflects upon the world he or she lives in. The author concludes that the art of the artistic era has similarities with the pre-historical age in which thaumawas not yet present, and the art of the aesthetic era shares features with the historical age in which, by contrast, thauma is the central factor. Liberating wonder brought the pre-historical age to an end in ancient Greece with the disc

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Acta Universitatis Carolinae. Philosophica et Historica

ISSN

0567-8293

e-ISSN

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Svazek periodika

neuveden

Číslo periodika v rámci svazku

1, Studia Aesthetica VII

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

10

Strana od-do

47-56

Kód UT WoS článku

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EID výsledku v databázi Scopus

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