Ascension of the Pop Icon: The Creativity of Kitsch (Not Only) in a Music Video by Lana Del Rey

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F15%3A10319997" target="_blank" >RIV/00216208:11210/15:10319997 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Ascension of the Pop Icon: The Creativity of Kitsch (Not Only) in a Music Video by Lana Del Rey

Popis výsledku v původním jazyce

Should we believe theorists who claim that kitsch represents an aesthetic or ethical defect? Trying to overcome several clichés related to kitsch, the paper deals with the aesthetic phenomenon of kitsch against the background of the audiovisual production of contemporary pop singer Lana del Rey. The first part analyzes the music video Born to Die (2011, dir. Yoann Lemoine) with a special focus on its kitschy and affective qualities. The second part outlines the issue of kitsch in art and its definitions across the rhetoric of modern and contemporary aesthetic discourse. Kitsch is also confronted with the categories of camp and nostalgia to explain the mechanisms in which it can rewrite history. The main goal of the paper consists in an explanation of how this production diversifies and expands the category of kitsch in order to put it into a more favorable light than aestheticians usually do.

Název v anglickém jazyce

Ascension of the Pop Icon: The Creativity of Kitsch (Not Only) in a Music Video by Lana Del Rey

Popis výsledku anglicky

Should we believe theorists who claim that kitsch represents an aesthetic or ethical defect? Trying to overcome several clichés related to kitsch, the paper deals with the aesthetic phenomenon of kitsch against the background of the audiovisual production of contemporary pop singer Lana del Rey. The first part analyzes the music video Born to Die (2011, dir. Yoann Lemoine) with a special focus on its kitschy and affective qualities. The second part outlines the issue of kitsch in art and its definitions across the rhetoric of modern and contemporary aesthetic discourse. Kitsch is also confronted with the categories of camp and nostalgia to explain the mechanisms in which it can rewrite history. The main goal of the paper consists in an explanation of how this production diversifies and expands the category of kitsch in order to put it into a more favorable light than aestheticians usually do.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Moravian Journal of Literature and Film

ISSN

1803-7720

e-ISSN

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Svazek periodika

6

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

23

Strana od-do

5-27

Kód UT WoS článku

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EID výsledku v databázi Scopus

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