Exiled Russian and Ukrainian Artists in Prague during the Interwar Period
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F17%3A10361928" target="_blank" >RIV/00216208:11210/17:10361928 - isvavai.cz</a>
Výsledek na webu
<a href="http://dx.doi.org/10.1163/2211730X-12341306" target="_blank" >http://dx.doi.org/10.1163/2211730X-12341306</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1163/2211730X-12341306" target="_blank" >10.1163/2211730X-12341306</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Exiled Russian and Ukrainian Artists in Prague during the Interwar Period
Popis výsledku v původním jazyce
Through several examples of the representation of Russian art in the milieu of interwar Czechoslovakia, the article shows the specificity of the local Russian cultural community which was exiled there following the October Revolution and the ensuing civil war. It examines the community's international contacts and the role its strong institutional background played in establishing several art collections-most importantly at the Slavonic Institute and the Russian Cultural-Historical Museum in Prague-as it attempted to capture and preserve for the future the art production of Russian artists abroad. It also looks at a remarkable artistic strategy used by The Scythians artist group, which was based on an alleged otherness and even exoticism of the Russian artists residing in Prague and drew on the ideology of Eurasianism promoted in the Russian exiled community of the period.
Název v anglickém jazyce
Exiled Russian and Ukrainian Artists in Prague during the Interwar Period
Popis výsledku anglicky
Through several examples of the representation of Russian art in the milieu of interwar Czechoslovakia, the article shows the specificity of the local Russian cultural community which was exiled there following the October Revolution and the ensuing civil war. It examines the community's international contacts and the role its strong institutional background played in establishing several art collections-most importantly at the Slavonic Institute and the Russian Cultural-Historical Museum in Prague-as it attempted to capture and preserve for the future the art production of Russian artists abroad. It also looks at a remarkable artistic strategy used by The Scythians artist group, which was based on an alleged otherness and even exoticism of the Russian artists residing in Prague and drew on the ideology of Eurasianism promoted in the Russian exiled community of the period.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2017
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Experiment. A Journal of Russian Culture
ISSN
1084-4945
e-ISSN
—
Svazek periodika
2017
Číslo periodika v rámci svazku
23
Stát vydavatele periodika
NL - Nizozemsko
Počet stran výsledku
15
Strana od-do
127-141
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85032267301