In the Realm of Politics, Nonsense, and the Absurd: The Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10404818" target="_blank" >RIV/00216208:11210/19:10404818 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

In the Realm of Politics, Nonsense, and the Absurd: The Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century

Popis výsledku v původním jazyce

The study analyses a selection of after War and contemporary West and South Slavic dramas, nine plays that were after 1945 inspired by the myth of Antigone. In the research we use a comparative methodological approach focused on vibrant models of the intertextual dialogue. The cycle on Classics and Communism, has now reached its third volume. This volume deals with a similarly significant institution, namely the communist theatre and its staging of ancient comedy and drama. The goal is to examine whether and how the authorities, their ideologists, and theatre directors, both pro- and anti-communist, used classical antiquity in general and ancient plays in particular to promote their ends - after the October Revolution and later World War II opened Central and Eastern Europe to Soviet domination.

Název v anglickém jazyce

In the Realm of Politics, Nonsense, and the Absurd: The Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century

Popis výsledku anglicky

The study analyses a selection of after War and contemporary West and South Slavic dramas, nine plays that were after 1945 inspired by the myth of Antigone. In the research we use a comparative methodological approach focused on vibrant models of the intertextual dialogue. The cycle on Classics and Communism, has now reached its third volume. This volume deals with a similarly significant institution, namely the communist theatre and its staging of ancient comedy and drama. The goal is to examine whether and how the authorities, their ideologists, and theatre directors, both pro- and anti-communist, used classical antiquity in general and ancient plays in particular to promote their ends - after the October Revolution and later World War II opened Central and Eastern Europe to Soviet domination.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Classics and Communism in Theatre : Greaco- Roman Antiquity on the Communist Stage.

ISBN

978-83-286-0062-1

Počet stran výsledku

17

Strana od-do

227-243

Počet stran knihy

529

Název nakladatele

Wydawnictvo DiG

Místo vydání

Warszawa

Kód UT WoS kapitoly

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