Classy Scene for Connoisseurs or Snobby Meeting Point? Considerations upon the Repertoire and Functions of the Thun Theatre in Prague during the Years 1781-1784

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10409037" target="_blank" >RIV/00216208:11210/19:10409037 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Vsz~StuSMT" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Vsz~StuSMT</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2018-S-19" target="_blank" >10.5817/MB2018-S-19</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Classy Scene for Connoisseurs or Snobby Meeting Point? Considerations upon the Repertoire and Functions of the Thun Theatre in Prague during the Years 1781-1784

Popis výsledku v původním jazyce

The history of the Italian opera in Prague in 1780s is linked with the name of Pasquale Bondini. Although an impresario of famous Mozartian performances, the details concerning his enterprise and repertoire are often neglected or unknown. Starting in autumn 1781, he succeeded against concurrence and converted the Thun Theatre in public venue of many functions: a scene for connoisseurs, opera and music funs, as well as a meeting point of high society, or political rivals. The repertoire, although dominated by popular opera buffa composers as Anfossi or Cimarosa, reveals a distinct dramaturgical policy, which points toward Bondini&apos;s previous experience in Dresden. Through choosing concrete operas and its adaptations a relatively original mixture of titles and genres (comic, serious, mixed) was set up, which helped to attract various audiences and maintain high level of performances.

Název v anglickém jazyce

Classy Scene for Connoisseurs or Snobby Meeting Point? Considerations upon the Repertoire and Functions of the Thun Theatre in Prague during the Years 1781-1784

Popis výsledku anglicky

The history of the Italian opera in Prague in 1780s is linked with the name of Pasquale Bondini. Although an impresario of famous Mozartian performances, the details concerning his enterprise and repertoire are often neglected or unknown. Starting in autumn 1781, he succeeded against concurrence and converted the Thun Theatre in public venue of many functions: a scene for connoisseurs, opera and music funs, as well as a meeting point of high society, or political rivals. The repertoire, although dominated by popular opera buffa composers as Anfossi or Cimarosa, reveals a distinct dramaturgical policy, which points toward Bondini&apos;s previous experience in Dresden. Through choosing concrete operas and its adaptations a relatively original mixture of titles and genres (comic, serious, mixed) was set up, which helped to attract various audiences and maintain high level of performances.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia (Studia minora Facultatis philosophicae universitatis brunensis.)

ISSN

1212-0391

e-ISSN

—

Svazek periodika

53

Číslo periodika v rámci svazku

Suplement 1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

7

Strana od-do

297-303

Kód UT WoS článku

000464340800019

EID výsledku v databázi Scopus

2-s2.0-85064541326