Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10417734" target="_blank" >RIV/00216208:11210/19:10417734 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oKqNpv3d4K" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oKqNpv3d4K</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/2040350X.2019.1648230" target="_blank" >10.1080/2040350X.2019.1648230</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution
Popis výsledku v původním jazyce
This article focuses on film distribution in Poland within the framework of hard power and soft power interplays. Contrary to perceptions of culture as soft power, film distribution is located mainly in the sphere of hard power, which includes capital dominance, negotiating leverage, pressuring partners and the need to control physical space. An analysis of the modern history of the distribution field in Poland after 1989 is presented in three stages. The first stage is characterised by the formation of a distribution market following new capitalist rules during the 1990s; the second, by the dominant influence of newly introduced multiplex chains; and the third, by digitalisation and the development of the VOD market. Referring to statistical market data, industry reports, semi-structured interviews and personal communication with industry insiders, the author underlines the separateness of traditional cinematic and VOD distribution on the level of corporate control and revenue streams. VOD distribution is dominated by platforms owned by local corporations built around TV broadcasters or by huge global conglomerates. The main stream of revenues from the VOD sector is kept by these two kinds of players.
Název v anglickém jazyce
Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution
Popis výsledku anglicky
This article focuses on film distribution in Poland within the framework of hard power and soft power interplays. Contrary to perceptions of culture as soft power, film distribution is located mainly in the sphere of hard power, which includes capital dominance, negotiating leverage, pressuring partners and the need to control physical space. An analysis of the modern history of the distribution field in Poland after 1989 is presented in three stages. The first stage is characterised by the formation of a distribution market following new capitalist rules during the 1990s; the second, by the dominant influence of newly introduced multiplex chains; and the third, by digitalisation and the development of the VOD market. Referring to statistical market data, industry reports, semi-structured interviews and personal communication with industry insiders, the author underlines the separateness of traditional cinematic and VOD distribution on the level of corporate control and revenue streams. VOD distribution is dominated by platforms owned by local corporations built around TV broadcasters or by huge global conglomerates. The main stream of revenues from the VOD sector is kept by these two kinds of players.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60405 - Studies on Film, Radio and Television
Návaznosti výsledku
Projekt
<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Studies in Eastern European Cinema
ISSN
2040-350X
e-ISSN
—
Svazek periodika
11
Číslo periodika v rámci svazku
3
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
19
Strana od-do
243-261
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85071167507