Japanese Porcelain from Arita (La Porcelaine Japonaise d'Arita)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10427504" target="_blank" >RIV/00216208:11210/20:10427504 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Japanese Porcelain from Arita (La Porcelaine Japonaise d'Arita)

Popis výsledku v původním jazyce

The chapter deals with the porcelain produced in Japan in Arita on the island of Kyūshū since the early 17th century till the Meiji period with a special emphasize to the Ariana Museum collections. In the middle of the 17th century, when East India Companies&apos; traders were no longer able to buy porcelain from Jingdezhen because of civil war in China, they turned to Japan. Specific forms and decoration were commissioned for the Western market. Arita potters sometimes copied them from Chinese or European models. The painted designs are extremely varied: as well as the blue and white of the kraak or Transition style, the shimmering polychrome motifs of Imari, Kakiemon and Nabeshima wares appeared. Production methods of the latter were a closely guarded secret. In turn, Japanese style influenced Chinese and European ceramics. The Ariana collections preserve nearly 800 items, dating from the mid-17th to the early 20th century. It i sone of the largest Swiss collection of Japanese cetamics. It includes several very rare pieces which are worldly unique and important for better understanding of the history of the production of Japanese porcelain and ceramics.

Název v anglickém jazyce

Japanese Porcelain from Arita (La Porcelaine Japonaise d'Arita)

Popis výsledku anglicky

The chapter deals with the porcelain produced in Japan in Arita on the island of Kyūshū since the early 17th century till the Meiji period with a special emphasize to the Ariana Museum collections. In the middle of the 17th century, when East India Companies&apos; traders were no longer able to buy porcelain from Jingdezhen because of civil war in China, they turned to Japan. Specific forms and decoration were commissioned for the Western market. Arita potters sometimes copied them from Chinese or European models. The painted designs are extremely varied: as well as the blue and white of the kraak or Transition style, the shimmering polychrome motifs of Imari, Kakiemon and Nabeshima wares appeared. Production methods of the latter were a closely guarded secret. In turn, Japanese style influenced Chinese and European ceramics. The Ariana collections preserve nearly 800 items, dating from the mid-17th to the early 20th century. It i sone of the largest Swiss collection of Japanese cetamics. It includes several very rare pieces which are worldly unique and important for better understanding of the history of the production of Japanese porcelain and ceramics.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60500 - Other Humanities and the Arts

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Collection japonaise: Chrysanthèmes, dragons et samouraīs. La Céramique japonaise du Musée Ariana

ISBN

978-2-8257-1230-6

Počet stran výsledku

25

Strana od-do

35-59

Počet stran knihy

468

Název nakladatele

Neuveden

Místo vydání

Genève

Kód UT WoS kapitoly

—