The politics and the music mainstream in Central and Eastern Europe: introduction

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F22%3A10449940" target="_blank" >RIV/00216208:11210/22:10449940 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=pRlb2h0Qpx" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=pRlb2h0Qpx</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/25739638.2022.2092259" target="_blank" >10.1080/25739638.2022.2092259</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The politics and the music mainstream in Central and Eastern Europe: introduction

Popis výsledku v původním jazyce

Analysing the mainstream popular music of Central and Eastern Europe in the last six decades, the role of political authorities in cultural production and consumption has to be particularly considered. Cultural policies were in general based on the enhancement of the cultural process as a universal, enlightening and liberating endeavour that should bring high humanistic values to the wider population. However, the cultural hegemony that the political authorities tried to retain until the late 20th century meant also systematic efforts to control, discipline and orient cultural production and consumption in the interests of the political elite. At this point, the political and music mainstream in the capitalist West and communist East started to significantly diverge.

Název v anglickém jazyce

The politics and the music mainstream in Central and Eastern Europe: introduction

Popis výsledku anglicky

Analysing the mainstream popular music of Central and Eastern Europe in the last six decades, the role of political authorities in cultural production and consumption has to be particularly considered. Cultural policies were in general based on the enhancement of the cultural process as a universal, enlightening and liberating endeavour that should bring high humanistic values to the wider population. However, the cultural hegemony that the political authorities tried to retain until the late 20th century meant also systematic efforts to control, discipline and orient cultural production and consumption in the interests of the political elite. At this point, the political and music mainstream in the capitalist West and communist East started to significantly diverge.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Contemporary Central and Eastern Europe

ISSN

2573-9638

e-ISSN

2573-9646

Svazek periodika

30

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

6

Strana od-do

141-146

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85133247962