Byron's Experiments in Drama: 1820-1822
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10471660" target="_blank" >RIV/00216208:11210/23:10471660 - isvavai.cz</a>
Výsledek na webu
<a href="http://doi.org/10.1017/9781108953863.011" target="_blank" >http://doi.org/10.1017/9781108953863.011</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1017/9781108953863.011" target="_blank" >10.1017/9781108953863.011</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Byron's Experiments in Drama: 1820-1822
Popis výsledku v původním jazyce
New chapter for the expanded second edition, not previously included in the first edition of the Companion (CUP, 2004). Reading Byron's dramas through the conceptual framework of modern play theory helps us appreciate the works of 1820-22 as a unique experimental project. If we focus on Byron's transgressive playfulness both in terms of genre expectations and the ethos of his original sources (ranging from the Bible and the apocrypha to historical accounts and popular fictional narratives), we may disambiguate some of the more persistent critical quandaries, such as Byron's unsystematic thinking or lack of dramatic rigueur. Rather than aloof carelessness, these dramas clearly attest to Byron's critical insight into the limits of the authoritative, be it religious or historical, and form a key part of his lifelong exploration of liberty, where the personal is inextricably linked to the political. Play, and playing, for Byron, is one of the key concepts of cultural history.
Název v anglickém jazyce
Byron's Experiments in Drama: 1820-1822
Popis výsledku anglicky
New chapter for the expanded second edition, not previously included in the first edition of the Companion (CUP, 2004). Reading Byron's dramas through the conceptual framework of modern play theory helps us appreciate the works of 1820-22 as a unique experimental project. If we focus on Byron's transgressive playfulness both in terms of genre expectations and the ethos of his original sources (ranging from the Bible and the apocrypha to historical accounts and popular fictional narratives), we may disambiguate some of the more persistent critical quandaries, such as Byron's unsystematic thinking or lack of dramatic rigueur. Rather than aloof carelessness, these dramas clearly attest to Byron's critical insight into the limits of the authoritative, be it religious or historical, and form a key part of his lifelong exploration of liberty, where the personal is inextricably linked to the political. Play, and playing, for Byron, is one of the key concepts of cultural history.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2023
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
The Cambridge Companion to Byron
ISBN
978-1-108-84488-8
Počet stran výsledku
12
Strana od-do
144-155
Počet stran knihy
329
Název nakladatele
Cambridge University Press
Místo vydání
Cambridge
Kód UT WoS kapitoly
—