All Quiet on the Domestic Front? Dealing with Anxiety in Late Socialist Czechoslovak Media

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10479254" target="_blank" >RIV/00216208:11210/24:10479254 - isvavai.cz</a>

Výsledek na webu

<a href="https://brill.com/edcollbook/title/69595" target="_blank" >https://brill.com/edcollbook/title/69595</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1163/9789004689831_017" target="_blank" >10.1163/9789004689831_017</a>

Jazyk výsledku

angličtina

Název v původním jazyce

All Quiet on the Domestic Front? Dealing with Anxiety in Late Socialist Czechoslovak Media

Popis výsledku v původním jazyce

During the final or perestroika stage of late state socialism the authorities fixated on juvenile delinquency as a social problem that was often connected with subcultures. These communities included metal-heads, punks, new romantics and skinheads. At landmark festivals and concerts in Poland, Hungary and finally Czechoslovakia itself, not only their musical tastes but also their lifestyle choices were brought to the fore. According to the police, the media and the legal system, most of the perpetrators of football-related violence were trainee labourers, a group that was paradoxically demonised in the so-called workers&apos; state. State-controlled television also highlighted the threat of Czechoslovak hooligans, who were persistently linked with waves of violence in British stadiums and especially with the tragedy at Heysel Stadium in Brussels in May 1985. With its sociology-informed interest in its hooligan protagonists and its scenes inspired by exploitation cinema, Why? (Proč?), a 1987 Czechoslovak film directed by Karel Smyczek, remains one of the most striking documents of its era for contemporary critics.

Název v anglickém jazyce

All Quiet on the Domestic Front? Dealing with Anxiety in Late Socialist Czechoslovak Media

Popis výsledku anglicky

During the final or perestroika stage of late state socialism the authorities fixated on juvenile delinquency as a social problem that was often connected with subcultures. These communities included metal-heads, punks, new romantics and skinheads. At landmark festivals and concerts in Poland, Hungary and finally Czechoslovakia itself, not only their musical tastes but also their lifestyle choices were brought to the fore. According to the police, the media and the legal system, most of the perpetrators of football-related violence were trainee labourers, a group that was paradoxically demonised in the so-called workers&apos; state. State-controlled television also highlighted the threat of Czechoslovak hooligans, who were persistently linked with waves of violence in British stadiums and especially with the tragedy at Heysel Stadium in Brussels in May 1985. With its sociology-informed interest in its hooligan protagonists and its scenes inspired by exploitation cinema, Why? (Proč?), a 1987 Czechoslovak film directed by Karel Smyczek, remains one of the most striking documents of its era for contemporary critics.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Exciting News! Event, Narration and Impact from Past to Present

ISBN

978-90-04-68982-4

Počet stran výsledku

13

Strana od-do

297-309

Počet stran knihy

443

Název nakladatele

Brill

Místo vydání

Amsterdam

Kód UT WoS kapitoly

—