Nostalgia, moralities and other stories about the past: how contemporary history is presented in museums

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10484593" target="_blank" >RIV/00216208:11210/24:10484593 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

chorvatština

Název v původním jazyce

Nostalgija, moraliteti i druge priče o prošlosti: kako se prikazuje suvremena povijest u muzejima

Popis výsledku v původním jazyce

Razumijevanje povijesti u obliku više ili manje kompleksnih priča jedan je od ključnih aspekata opće refleksije prošlosti. Stoga je narativnost bitno načelo svake vrste popularizacije povijesne znanosti, a ima i veliku ulogu u izložbenoj djelatnosti povijesnih muzeja. Muzejska prezentacija suvremene povijesti u tome je kontekstu svojevrsni problem. Radi se o razdoblju sa zasad djelomično otvorenim kanonom interpretacija pri čemu su i kustosi i posjetitelji svjedoci danog vremena, opremljeni vlastitim uspomenama i emocijama. Taj se sporni potencijal još više očituje u bivšim socijalističkim zemljama Srednjoistočne Europe čija se najnovija povijest i s njom povezana baština često promatraju kao sporno nasljeđe. S druge strane, na zamišljanje prošlosti također utječe komunikacijski kontekst u kojem nositelji kolektivnog sjećanja postaju pojave iz okvira svakodnevnice i popularne kulture. Predavanje će se fokusirati na oblike muzejskog prikazivanja suvremene povijesti u izabranim zemljama Srednje Europe i bivše Jugoslavije. Na temelju doktorskog istraživanja autorice bit će uvedeni osnovni tipovi gradnje muzejske priče o tom vremenu, njihovi političko-kulturni konteksti i potencijalni problematični aspekti.

Název v anglickém jazyce

Nostalgia, moralities and other stories about the past: how contemporary history is presented in museums

Popis výsledku anglicky

Understanding history in the form of more or less complex stories is one of the key aspects of general reflection on the past. Therefore, narrativity is an essential principle of any kind of popularization of historical science, and it also plays a major role in the exhibition activities of historical museums. In this respect, the museum presentation of contemporary history is a problem of its kind. This is a period with a partially open canon of interpretations, where both curators and visitors are witnesses of a given time, equipped with their own memories and emotions. The disputed potential is even more evident in the former socialist countries of Central and Eastern Europe, whose recent history and related heritage are often viewed as a conflicting legacy. On the other hand, imagining the past is also influenced by the communication context in which the bearers of collective memory become phenomena from everyday life and popular culture. The lecture will focus on forms of museum presentation of contemporary history in selected countries of Central Europe and the former Yugoslavia. Based on the author&apos;s doctoral research, the basic types of construction of the museum narration about that time, their political and cultural contexts and potential problematic aspects will be introduced.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů