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Unveiling Layers Of Metatheatre In Chekhov's 'The Seagull': A Sociodramatic Analysis Of Treplev's Play And Its Implications

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10486961" target="_blank" >RIV/00216208:11210/24:10486961 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://8thsociodramaconference.com/program-hossein-oroumiehchiha/" target="_blank" >https://8thsociodramaconference.com/program-hossein-oroumiehchiha/</a>

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Unveiling Layers Of Metatheatre In Chekhov's 'The Seagull': A Sociodramatic Analysis Of Treplev's Play And Its Implications

  • Popis výsledku v původním jazyce

    A presentation given at the 8th International Sociodrama Conference, hosted by the Hungarian Association for Psychodrama in Budapest, Hungary, on 29 June 2024.ABSTRACT:This presentation will look into the metatheatrical aspects of Anton Chekhov&apos;s &quot;The Seagull,&quot; with a special focus on the play that Treplev, one of the characters, stages. We use Jacob L. Moreno&apos;s sociodrama theory to understand how personal problems and social rules are connected in the play. A key part of this is the new kind of play Treplev creates, which is very different from the traditional theater that his mother, Arkadina, represents. We analyze how Treplev is trying to find his own artistic voice and identity, showing the big conflicts between different generations and ideas at that time.In this presentation, we will use sociodrama to look at important themes like being true to art, problems within families, and the pressure to follow social norms. We also think about how the audience is involved in this metatheatrical setting. This shows how Chekhov mixes acting and real life, making people think about their own roles and identities in society.To end, we will see &quot;The Seagull&quot; as a strong tool for sociodrama. It shows complicated relationships between people and social expectations, and it makes us think deeply about art, who we are, and how people interact with each other. This deep look at Chekhov&apos;s play gives us a new way to see its lasting importance and artistic beauty.

  • Název v anglickém jazyce

    Unveiling Layers Of Metatheatre In Chekhov's 'The Seagull': A Sociodramatic Analysis Of Treplev's Play And Its Implications

  • Popis výsledku anglicky

    A presentation given at the 8th International Sociodrama Conference, hosted by the Hungarian Association for Psychodrama in Budapest, Hungary, on 29 June 2024.ABSTRACT:This presentation will look into the metatheatrical aspects of Anton Chekhov&apos;s &quot;The Seagull,&quot; with a special focus on the play that Treplev, one of the characters, stages. We use Jacob L. Moreno&apos;s sociodrama theory to understand how personal problems and social rules are connected in the play. A key part of this is the new kind of play Treplev creates, which is very different from the traditional theater that his mother, Arkadina, represents. We analyze how Treplev is trying to find his own artistic voice and identity, showing the big conflicts between different generations and ideas at that time.In this presentation, we will use sociodrama to look at important themes like being true to art, problems within families, and the pressure to follow social norms. We also think about how the audience is involved in this metatheatrical setting. This shows how Chekhov mixes acting and real life, making people think about their own roles and identities in society.To end, we will see &quot;The Seagull&quot; as a strong tool for sociodrama. It shows complicated relationships between people and social expectations, and it makes us think deeply about art, who we are, and how people interact with each other. This deep look at Chekhov&apos;s play gives us a new way to see its lasting importance and artistic beauty.

Klasifikace

  • Druh

    O - Ostatní výsledky

  • CEP obor

  • OECD FORD obor

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2024

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů