Letting the planet speak: non-human voices through narrative, sound art, and technology

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10491020" target="_blank" >RIV/00216208:11210/24:10491020 - isvavai.cz</a>

Výsledek na webu

<a href="https://link.springer.com/chapter/10.1007/978-3-031-73386-4_5" target="_blank" >https://link.springer.com/chapter/10.1007/978-3-031-73386-4_5</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-031-73386-4" target="_blank" >10.1007/978-3-031-73386-4</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Letting the planet speak: non-human voices through narrative, sound art, and technology

Popis výsledku v původním jazyce

The habitability of the planet Earth depends on countless organisms, entities, and processes, most of which lie beyond our immediate experience. Several literary critics have praised performative and sound art for its striking ability, compared to literary works, to bring the biotic and abiotic components of the Earth system into our perceptual and sensorial realm, without projecting human meanings onto them. But how does this sensorial experience translate into ecological-oriented political action?Comparing some important examples of sound art and narrative works, this chapter (i) analyzes the artistic and technological devices that enable the transformative processes of the Anthropocene to become tangible to human senses; (ii) demonstrates the insufficiency of immersive knowledge experiences as tools for triggering ecological awareness and forms of eco-responsible politics; and, finally, (iii) argues for the need to articulate, through narrative, the problems of perception with those of representation and advocacy.

Název v anglickém jazyce

Letting the planet speak: non-human voices through narrative, sound art, and technology

Popis výsledku anglicky

The habitability of the planet Earth depends on countless organisms, entities, and processes, most of which lie beyond our immediate experience. Several literary critics have praised performative and sound art for its striking ability, compared to literary works, to bring the biotic and abiotic components of the Earth system into our perceptual and sensorial realm, without projecting human meanings onto them. But how does this sensorial experience translate into ecological-oriented political action?Comparing some important examples of sound art and narrative works, this chapter (i) analyzes the artistic and technological devices that enable the transformative processes of the Anthropocene to become tangible to human senses; (ii) demonstrates the insufficiency of immersive knowledge experiences as tools for triggering ecological awareness and forms of eco-responsible politics; and, finally, (iii) argues for the need to articulate, through narrative, the problems of perception with those of representation and advocacy.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60205 - Literary theory

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Communicating Human and Non-Human Otherness: Urban Culture, Technology and Post-Humanism

ISBN

978-3-031-73385-7

Počet stran výsledku

25

Strana od-do

61-85

Počet stran knihy

221

Název nakladatele

Palgrave Macmillan/Springer Nature/

Místo vydání

Cham

Kód UT WoS kapitoly

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