Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10492804" target="_blank" >RIV/00216208:11210/24:10492804 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=EAe~Tq8rgO" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=EAe~Tq8rgO</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.4000/etudesirlandaises.18203" target="_blank" >10.4000/etudesirlandaises.18203</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast
Popis výsledku v původním jazyce
In "Turn Again", his poetic "guide" to Belfast and its poetry, Ciaran Carson writes that "Today's plan is already yesterday's - the streets that were there are gone". This essay explores how Carson follows his own advice and how his poetics of rambling have inspired two younger Belfast poets, Alan Gillis and Padraig Regan. All three foreground walking and movement through urban spaces as a powerful literary trope and an effective tool of social criticism. Their anachronistically male or emphatically other personae guide us to the parallel city found between "observation and invention" (Gillis), which corresponds with Walter Benjamin's notion of the Parisian arcades as a place in which layers of time, space and consciousness coalesce. Tracing trajectories of mutual influencing between three generations of Northern Irish poets can help us appreciate the collapsed hierarchy of time in a society that always threatens to relapse into its earlier confusion.
Název v anglickém jazyce
Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast
Popis výsledku anglicky
In "Turn Again", his poetic "guide" to Belfast and its poetry, Ciaran Carson writes that "Today's plan is already yesterday's - the streets that were there are gone". This essay explores how Carson follows his own advice and how his poetics of rambling have inspired two younger Belfast poets, Alan Gillis and Padraig Regan. All three foreground walking and movement through urban spaces as a powerful literary trope and an effective tool of social criticism. Their anachronistically male or emphatically other personae guide us to the parallel city found between "observation and invention" (Gillis), which corresponds with Walter Benjamin's notion of the Parisian arcades as a place in which layers of time, space and consciousness coalesce. Tracing trajectories of mutual influencing between three generations of Northern Irish poets can help us appreciate the collapsed hierarchy of time in a society that always threatens to relapse into its earlier confusion.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
—
OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Études Irlandaises
ISSN
—
e-ISSN
2259-8863
Svazek periodika
49
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
FR - Francouzská republika
Počet stran výsledku
16
Strana od-do
131-146
Kód UT WoS článku
—
EID výsledku v databázi Scopus
—