Reader, Spectator, Viewer, Player, Influencer : The Changing Paradigms of Reception as a Challenge to Literary History

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F25%3A10508989" target="_blank" >RIV/00216208:11210/25:10508989 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=t9lRiJH0Dd" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=t9lRiJH0Dd</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Reader, Spectator, Viewer, Player, Influencer : The Changing Paradigms of Reception as a Challenge to Literary History

Popis výsledku v původním jazyce

This article examines how recent transformations in media and cultural production challengetraditional literary historiography. Drawing on Hans Robert Jauss&apos;s reception aesthetics and his conceptof the &quot;horizon of expectation,&quot; the study argues that literature must increasingly be understood throughthe lens of its reception across diverse media platforms. Integrating insights from media theory (McLuhan,Benjamin, Bolter and Grusin), the article explores how remediation and adaptation alter both the circulationand interpretation of literary texts. Through examples such as the adaptation history of Oroonoko andthe Czech reception of Jane Eyre, it shows how literature is reshaped by visual and participatory mediacultures. The study further highlights the role of new agents-such as social media influencers and onlinefan communities-in shaping contemporary literary canons. Ultimately, the paper calls for a rethinkingof literary historiography as a collaborative, interdisciplinary, and globally informed endeavour thatreflects the evolving modes of authorship, readership, and textual authority in the digital age.

Název v anglickém jazyce

Reader, Spectator, Viewer, Player, Influencer : The Changing Paradigms of Reception as a Challenge to Literary History

Popis výsledku anglicky

This article examines how recent transformations in media and cultural production challengetraditional literary historiography. Drawing on Hans Robert Jauss&apos;s reception aesthetics and his conceptof the &quot;horizon of expectation,&quot; the study argues that literature must increasingly be understood throughthe lens of its reception across diverse media platforms. Integrating insights from media theory (McLuhan,Benjamin, Bolter and Grusin), the article explores how remediation and adaptation alter both the circulationand interpretation of literary texts. Through examples such as the adaptation history of Oroonoko andthe Czech reception of Jane Eyre, it shows how literature is reshaped by visual and participatory mediacultures. The study further highlights the role of new agents-such as social media influencers and onlinefan communities-in shaping contemporary literary canons. Ultimately, the paper calls for a rethinkingof literary historiography as a collaborative, interdisciplinary, and globally informed endeavour thatreflects the evolving modes of authorship, readership, and textual authority in the digital age.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hradec Králové Journal of Anglophone Studies

ISSN

2336-3347

e-ISSN

2571-032X

Svazek periodika

2025

Číslo periodika v rámci svazku

12

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

8

Strana od-do

90-97

Kód UT WoS článku

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EID výsledku v databázi Scopus

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