A Short History of Participation in the Cultural Realm

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F13%3A10196711" target="_blank" >RIV/00216208:11230/13:10196711 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

A Short History of Participation in the Cultural Realm

Popis výsledku v původním jazyce

The popularization of the internet, with all its potentials for interaction and participation fed into the cultural democratization argument, combined with the belief that these changes were new. This claim for novelty is highly problematic, as it tendsto ignore the history of cultural participation, which stretches out much further than utopian ICT theories want us to believe. There is also a tendency towards an individualized interpretation of the social, which leads to a downplaying of societal structures, including the importance of organisational structures in providing cultural elites with safe havens, and the importance of discursive structures like professional identities and audience identities. This texts combines both critiques, by lookingat the 20th century history of participation within the cultural realm. Arguably, the arts played a significant role in producing these cultural-democratic discourses and practices, and for that reason this article will first discuss this

Název v anglickém jazyce

A Short History of Participation in the Cultural Realm

Popis výsledku anglicky

The popularization of the internet, with all its potentials for interaction and participation fed into the cultural democratization argument, combined with the belief that these changes were new. This claim for novelty is highly problematic, as it tendsto ignore the history of cultural participation, which stretches out much further than utopian ICT theories want us to believe. There is also a tendency towards an individualized interpretation of the social, which leads to a downplaying of societal structures, including the importance of organisational structures in providing cultural elites with safe havens, and the importance of discursive structures like professional identities and audience identities. This texts combines both critiques, by lookingat the 20th century history of participation within the cultural realm. Arguably, the arts played a significant role in producing these cultural-democratic discourses and practices, and for that reason this article will first discuss this

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Digital Turn : User's Practices and Cultural Transformations

ISBN

978-3-631-64035-7

Počet stran výsledku

15

Strana od-do

207-221

Počet stran knihy

298

Název nakladatele

Peter Lang

Místo vydání

Frankfurt am Main

Kód UT WoS kapitoly

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