Heterotopias of Identity in Sex and the City

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F18%3A10392456" target="_blank" >RIV/00216208:11230/18:10392456 - isvavai.cz</a>

Výsledek na webu

<a href="http://uet.edu.al/polis/images/Vaia_Doudaki.pdf" target="_blank" >http://uet.edu.al/polis/images/Vaia_Doudaki.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Heterotopias of Identity in Sex and the City

Popis výsledku v původním jazyce

This article looks at how space and its temporal dimensions interrelate with female identity building within late modernity, in the television series Sex and the City. As elaborated throughout the analysis, which profits from Foucault&apos;s work on heterotopias, the spaces of New York -to which the show pays homage- fluid and contradictory, both enable and curtail the possibilities of identity transformation. Time adds to the fluidity of space, as its signification can transform space from utopia/eutopia to heterotopia and vice versa. Late-modern consciousness is largely heterotopic, pointing to or being in relation with other places of consciousness and identity. The main characters of the show are aware of and largely accept their heterotopic condition, with all its fallacies. New York, their preferred heterotopy- bearer, offers this multitude of other spaces, inconsistent, fragmented, even broken, for the four women to choose the pieces to form their selected heterotopias, which, under special circumstances, may become enacted eutopias.

Název v anglickém jazyce

Heterotopias of Identity in Sex and the City

Popis výsledku anglicky

This article looks at how space and its temporal dimensions interrelate with female identity building within late modernity, in the television series Sex and the City. As elaborated throughout the analysis, which profits from Foucault&apos;s work on heterotopias, the spaces of New York -to which the show pays homage- fluid and contradictory, both enable and curtail the possibilities of identity transformation. Time adds to the fluidity of space, as its signification can transform space from utopia/eutopia to heterotopia and vice versa. Late-modern consciousness is largely heterotopic, pointing to or being in relation with other places of consciousness and identity. The main characters of the show are aware of and largely accept their heterotopic condition, with all its fallacies. New York, their preferred heterotopy- bearer, offers this multitude of other spaces, inconsistent, fragmented, even broken, for the four women to choose the pieces to form their selected heterotopias, which, under special circumstances, may become enacted eutopias.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

50802 - Media and socio-cultural communication

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Polis

ISSN

2223-8174

e-ISSN

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Svazek periodika

Neuveden

Číslo periodika v rámci svazku

17

Stát vydavatele periodika

AL - Albánská republika

Počet stran výsledku

18

Strana od-do

5-22

Kód UT WoS článku

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EID výsledku v databázi Scopus

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