Beyond Blood and Honey: Re-Imagining the Balkans through Travelling Exhibitions
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F18%3A10398568" target="_blank" >RIV/00216208:11230/18:10398568 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=bj2uyLCrLX" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=bj2uyLCrLX</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Beyond Blood and Honey: Re-Imagining the Balkans through Travelling Exhibitions
Popis výsledku v původním jazyce
From 2002 to 2015 a considerable number of large-scale, geopolitical bannered exhibitions have been dedicated to the 'the Balkans.' This article aims to analyze and compare two types of regional, large scale exhibitions from/on the Balkans: contemporary art exhibitions and interpretative (dedicated to historical and ethnographic themes) exhibitions. The pervasiveness of the stereotypical visual representations of 'the Balkans' - called by the Bulgarian artist Luchezar Boyadjiev the 'Balkan blue' - as a region of everlasting conflicts and binary oppositions coincides with the birth of contemporary Balkan art. By attempting to overcome the stereotypical images of the Balkans ('the Balkan ethos') still prevalent in our days, the travelling exhibition 'Imagining the Balkans: Identities and Memory in the Long 19th Century' - opened in Ljubljana (Slovenia) at the National Museum of Slovenia, in April 2013 and then displayed in other national museums of history from the Balkan region - endeavors to place national histories in a perspective where they interact.
Název v anglickém jazyce
Beyond Blood and Honey: Re-Imagining the Balkans through Travelling Exhibitions
Popis výsledku anglicky
From 2002 to 2015 a considerable number of large-scale, geopolitical bannered exhibitions have been dedicated to the 'the Balkans.' This article aims to analyze and compare two types of regional, large scale exhibitions from/on the Balkans: contemporary art exhibitions and interpretative (dedicated to historical and ethnographic themes) exhibitions. The pervasiveness of the stereotypical visual representations of 'the Balkans' - called by the Bulgarian artist Luchezar Boyadjiev the 'Balkan blue' - as a region of everlasting conflicts and binary oppositions coincides with the birth of contemporary Balkan art. By attempting to overcome the stereotypical images of the Balkans ('the Balkan ethos') still prevalent in our days, the travelling exhibition 'Imagining the Balkans: Identities and Memory in the Long 19th Century' - opened in Ljubljana (Slovenia) at the National Museum of Slovenia, in April 2013 and then displayed in other national museums of history from the Balkan region - endeavors to place national histories in a perspective where they interact.
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
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OECD FORD obor
50701 - Cultural and economic geography
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Etudes Balkaniques
ISSN
2534-8574
e-ISSN
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Svazek periodika
54
Číslo periodika v rámci svazku
4
Stát vydavatele periodika
BG - Bulharská republika
Počet stran výsledku
20
Strana od-do
706-725
Kód UT WoS článku
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EID výsledku v databázi Scopus
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