"Call the witness": Romani Holocaust related art in Austria and Marika Schmiedt's will to memory
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F20%3A10364994" target="_blank" >RIV/00216208:11230/20:10364994 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=BRz9ziGUbX" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=BRz9ziGUbX</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1177/1750698017741929" target="_blank" >10.1177/1750698017741929</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
"Call the witness": Romani Holocaust related art in Austria and Marika Schmiedt's will to memory
Popis výsledku v původním jazyce
Both academic and popular culture discourses are inhabited by statements that "pathologize" the ways Roma remember the Holocaust and other traumatic events. Against these claims, this article's main aim is to explore contemporary artistic production from Austria which fosters "Roma will to memory" within an assemblage of political practices and discourses. To this end, I will explore Marika Schmiedt's body of artistic memory work from 1999 to 2015, relying on a critical visual approach. The impetus for this exploration is Slawomir Kapralski's assertion that the actual cases of active remembering and commemoration among Roma and Sinti would render the traditional approach to Roma as "people without memory and history" inaccurate. As this case study shows, there is no such a thing as "Roma indifference to recollection," but rather, the testimony about the traumatic past is silenced or obstructed by the lack of the infrastructure, the bureaucracy of the archives, and the strategic forgetting politics.
Název v anglickém jazyce
"Call the witness": Romani Holocaust related art in Austria and Marika Schmiedt's will to memory
Popis výsledku anglicky
Both academic and popular culture discourses are inhabited by statements that "pathologize" the ways Roma remember the Holocaust and other traumatic events. Against these claims, this article's main aim is to explore contemporary artistic production from Austria which fosters "Roma will to memory" within an assemblage of political practices and discourses. To this end, I will explore Marika Schmiedt's body of artistic memory work from 1999 to 2015, relying on a critical visual approach. The impetus for this exploration is Slawomir Kapralski's assertion that the actual cases of active remembering and commemoration among Roma and Sinti would render the traditional approach to Roma as "people without memory and history" inaccurate. As this case study shows, there is no such a thing as "Roma indifference to recollection," but rather, the testimony about the traumatic past is silenced or obstructed by the lack of the infrastructure, the bureaucracy of the archives, and the strategic forgetting politics.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
50701 - Cultural and economic geography
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Memory Studies
ISSN
1750-6980
e-ISSN
—
Svazek periodika
13
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
US - Spojené státy americké
Počet stran výsledku
17
Strana od-do
107-123
Kód UT WoS článku
000510335900007
EID výsledku v databázi Scopus
2-s2.0-85078930512