Cultural Memory and Political Resistance through Religious / Spiritual Art in (Post) Communist Romania

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F21%3A10428277" target="_blank" >RIV/00216208:11230/21:10428277 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1163/9789004453821_006" target="_blank" >https://doi.org/10.1163/9789004453821_006</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1163/9789004453821_006" target="_blank" >10.1163/9789004453821_006</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Cultural Memory and Political Resistance through Religious / Spiritual Art in (Post) Communist Romania

Popis výsledku v původním jazyce

The chapter argues that spiritual arts in Romania approach religious symbols in their own way, disregarding the strict rules of the Byzantine Herminia in an attempt to enhance &apos;the spiritual life of humanity&apos; through recalling &apos;a creative Christianity.&apos; Starting with the end of the 1970s, formerly forbidden borrowings from religious art were accepted by communist cultural hegemony if they backed the official style of communist nationalism and the traditional folk ethos. The artistic production analyzed in this chapter reveals the ways in which open-ended cultural memories can be mixed with new myths and rituals, communicative memories and memories of repression, as well as identity politics.

Název v anglickém jazyce

Cultural Memory and Political Resistance through Religious / Spiritual Art in (Post) Communist Romania

Popis výsledku anglicky

The chapter argues that spiritual arts in Romania approach religious symbols in their own way, disregarding the strict rules of the Byzantine Herminia in an attempt to enhance &apos;the spiritual life of humanity&apos; through recalling &apos;a creative Christianity.&apos; Starting with the end of the 1970s, formerly forbidden borrowings from religious art were accepted by communist cultural hegemony if they backed the official style of communist nationalism and the traditional folk ethos. The artistic production analyzed in this chapter reveals the ways in which open-ended cultural memories can be mixed with new myths and rituals, communicative memories and memories of repression, as well as identity politics.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Religious Narratives in Contemporary Culture : Between Cultural Memory and Transmediality

ISBN

978-90-04-45374-6

Počet stran výsledku

22

Strana od-do

73-94

Počet stran knihy

219

Název nakladatele

Brill

Místo vydání

Leiden

Kód UT WoS kapitoly

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