Turn the Volume Up! Boxing Hearts and Beats

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F23%3A10472033" target="_blank" >RIV/00216208:11230/23:10472033 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.4324/9781003312635-15" target="_blank" >https://doi.org/10.4324/9781003312635-15</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.4324/9781003312635-15" target="_blank" >10.4324/9781003312635-15</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Turn the Volume Up! Boxing Hearts and Beats

Popis výsledku v původním jazyce

While significant attention has been paid to material, spatial, and visual aspects of the social world of boxing, the dimension of sound in boxing has remained widely overlooked. In my analysis I look at different soundscapes produced around boxing to try and understand how this auditory approach can bring about different understanding of the cultures and social worlds of boxers. I focus my study around three songs that are played in the boxing gym in Bratislava: 1) &quot;Jugoslovenka&quot; by the Yugoslav pop-folk singer Lepa Brena (1989), 2) &quot;Orlík&quot; by a 1980s Czech nationalist skinhead band, and 3) songs belonging to Justin Bieber. This chapter draws on empirical research conducted over a year in a boxing gym in a socialist neighbourhood on the periphery of Bratislava, Slovakia. It is part of the larger multi-ethnographic and multisensorial research project that aims to provide insight into the complexity of bodily labour and gender identity construction in the environment of amateur boxing culture in the countries of the Central European region and mainly its housing estates in the city peripheries.

Název v anglickém jazyce

Turn the Volume Up! Boxing Hearts and Beats

Popis výsledku anglicky

While significant attention has been paid to material, spatial, and visual aspects of the social world of boxing, the dimension of sound in boxing has remained widely overlooked. In my analysis I look at different soundscapes produced around boxing to try and understand how this auditory approach can bring about different understanding of the cultures and social worlds of boxers. I focus my study around three songs that are played in the boxing gym in Bratislava: 1) &quot;Jugoslovenka&quot; by the Yugoslav pop-folk singer Lepa Brena (1989), 2) &quot;Orlík&quot; by a 1980s Czech nationalist skinhead band, and 3) songs belonging to Justin Bieber. This chapter draws on empirical research conducted over a year in a boxing gym in a socialist neighbourhood on the periphery of Bratislava, Slovakia. It is part of the larger multi-ethnographic and multisensorial research project that aims to provide insight into the complexity of bodily labour and gender identity construction in the environment of amateur boxing culture in the countries of the Central European region and mainly its housing estates in the city peripheries.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

50401 - Sociology

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Boxing, Narrative and Culture: Critical Perspectives

ISBN

978-1-00-331263-5

Počet stran výsledku

15

Strana od-do

179-193

Počet stran knihy

230

Název nakladatele

Routledge

Místo vydání

London

Kód UT WoS kapitoly

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