Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F12%3A10126484" target="_blank" >RIV/00216208:11240/12:10126484 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.lidemesta.cz/index.php?id=871" target="_blank" >http://www.lidemesta.cz/index.php?id=871</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic

Popis výsledku v původním jazyce

This paper is based on my research dealing with musicians - members of different immigrant minority communities who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba,Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban," "Ukrainian folk" or "traditional music of Central Asia..." The subject of study is their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each self-presentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audienceare considered as "bearers of signs." In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typ

Název v anglickém jazyce

Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic

Popis výsledku anglicky

This paper is based on my research dealing with musicians - members of different immigrant minority communities who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba,Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban," "Ukrainian folk" or "traditional music of Central Asia..." The subject of study is their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each self-presentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audienceare considered as "bearers of signs." In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typ

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AC - Archeologie, antropologie, etnologie

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Lidé města

ISSN

1212-8112

e-ISSN

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Svazek periodika

14

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

16

Strana od-do

369-384

Kód UT WoS článku

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EID výsledku v databázi Scopus

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