Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F12%3A10126484" target="_blank" >RIV/00216208:11240/12:10126484 - isvavai.cz</a>
Výsledek na webu
<a href="http://www.lidemesta.cz/index.php?id=871" target="_blank" >http://www.lidemesta.cz/index.php?id=871</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic
Popis výsledku v původním jazyce
This paper is based on my research dealing with musicians - members of different immigrant minority communities who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba,Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban," "Ukrainian folk" or "traditional music of Central Asia..." The subject of study is their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each self-presentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audienceare considered as "bearers of signs." In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typ
Název v anglickém jazyce
Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic
Popis výsledku anglicky
This paper is based on my research dealing with musicians - members of different immigrant minority communities who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba,Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban," "Ukrainian folk" or "traditional music of Central Asia..." The subject of study is their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each self-presentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audienceare considered as "bearers of signs." In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typ
Klasifikace
Druh
J<sub>x</sub> - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)
CEP obor
AC - Archeologie, antropologie, etnologie
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2012
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Lidé města
ISSN
1212-8112
e-ISSN
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Svazek periodika
14
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
16
Strana od-do
369-384
Kód UT WoS článku
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EID výsledku v databázi Scopus
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