Curating access, shaping cultural memory: the Czech National Film archive in the era of digitisation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F20%3A10402530" target="_blank" >RIV/00216208:11240/20:10402530 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=IU5t~_S4Ii" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=IU5t~_S4Ii</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/2040350X.2019.1708044" target="_blank" >10.1080/2040350X.2019.1708044</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Curating access, shaping cultural memory: the Czech National Film archive in the era of digitisation

Popis výsledku v původním jazyce

Audiovisual archiving has two main objectives: preservation of heritage and ensuring its accessibility. This article directs the focus especially on the latter. In the framework of cultural memory, I explore the current policies and practices of the Czech National Film Archive (NFA) that govern access to its digitized collections.The adoption of digital technologies has caused profound changes not only in storing of audiovisual works, but also in their exhibition, distribution and sharing. The goal of this article is to review the curatorial processes of the NFA by which the works are selected for priority digitization and digital restoration and to map at least the most important platforms at which digitized content is exhibited or shared. From the point of view of memory, it is meaningful to ask what parts of Czech cinematography are highlighted and why, and also to look at how is the archival footage presented to contemporary public, for example through cataloging, descriptive or interpretive texts and other information that create the framework for its reception.

Název v anglickém jazyce

Curating access, shaping cultural memory: the Czech National Film archive in the era of digitisation

Popis výsledku anglicky

Audiovisual archiving has two main objectives: preservation of heritage and ensuring its accessibility. This article directs the focus especially on the latter. In the framework of cultural memory, I explore the current policies and practices of the Czech National Film Archive (NFA) that govern access to its digitized collections.The adoption of digital technologies has caused profound changes not only in storing of audiovisual works, but also in their exhibition, distribution and sharing. The goal of this article is to review the curatorial processes of the NFA by which the works are selected for priority digitization and digital restoration and to map at least the most important platforms at which digitized content is exhibited or shared. From the point of view of memory, it is meaningful to ask what parts of Czech cinematography are highlighted and why, and also to look at how is the archival footage presented to contemporary public, for example through cataloging, descriptive or interpretive texts and other information that create the framework for its reception.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50802 - Media and socio-cultural communication

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Studies in Eastern European Cinema

ISSN

2040-350X

e-ISSN

2040-3518

Svazek periodika

11

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

186-201

Kód UT WoS článku

001003142900006

EID výsledku v databázi Scopus

2-s2.0-85078611602