There and Back Again: Linking Online and Offline Spaces in/of Czech Emo Subculture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F20%3A10419001" target="_blank" >RIV/00216208:11240/20:10419001 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1007/978-3-030-28475-6_9" target="_blank" >http://dx.doi.org/10.1007/978-3-030-28475-6_9</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-030-28475-6_9" target="_blank" >10.1007/978-3-030-28475-6_9</a>

Jazyk výsledku

angličtina

Název v původním jazyce

There and Back Again: Linking Online and Offline Spaces in/of Czech Emo Subculture

Popis výsledku v původním jazyce

This chapter examines the recent popularity of emo subculture in Prague and other cities in the Czech Republic, focusing on the role of online and offline spaces in this latest emo resurgence and the interrelation of these spaces (public and private), as manifested and constructed by subcultural practices. Based on ethnographic research of contemporary Czech emo subculture both online and offline, the conclusion is reached that even if emo is a prime example of a contemporary new-mediated subculture unable to exist without online modes of communication, emo still puts great emphasis on communication offline, giving it at least as much importance as online interaction. It is further argued that even if online and offline are distinguishable analytically, they are quite inseparable in Czech emo practice.

Název v anglickém jazyce

There and Back Again: Linking Online and Offline Spaces in/of Czech Emo Subculture

Popis výsledku anglicky

This chapter examines the recent popularity of emo subculture in Prague and other cities in the Czech Republic, focusing on the role of online and offline spaces in this latest emo resurgence and the interrelation of these spaces (public and private), as manifested and constructed by subcultural practices. Based on ethnographic research of contemporary Czech emo subculture both online and offline, the conclusion is reached that even if emo is a prime example of a contemporary new-mediated subculture unable to exist without online modes of communication, emo still puts great emphasis on communication offline, giving it at least as much importance as online interaction. It is further argued that even if online and offline are distinguishable analytically, they are quite inseparable in Czech emo practice.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

50404 - Anthropology, ethnology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens

ISBN

978-3-030-28474-9

Počet stran výsledku

37

Strana od-do

169-205

Počet stran knihy

278

Název nakladatele

Palgrave Macmillan

Místo vydání

Cham

Kód UT WoS kapitoly

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