Musical Remembering with the "Old Lady": Cultural Biography of the Organ in Prague's Jeruzalémská Synagogue with a Focus on Its Present-day Revival
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F20%3A10421558" target="_blank" >RIV/00216208:11240/20:10421558 - isvavai.cz</a>
Výsledek na webu
—
DOI - Digital Object Identifier
—
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Musical Remembering with the "Old Lady": Cultural Biography of the Organ in Prague's Jeruzalémská Synagogue with a Focus on Its Present-day Revival
Popis výsledku v původním jazyce
Musical practices can become both the subject and the means of both individual and collective remembering. In the following case study based on my ethnographic fieldwork among the Jewish community in Prague, I understand musical practices as a performative means of constructing certain imagined, culturally-specific continuities from the past, in the present. Since remembering is a selective practice, I am interested in the process itself: what is remembered, what is revived in the present, and what is not? How is the dis/continuity negotiated in practice? The cultural biography of the newly-reconstructed, 113-year-old organ (the "Old Lady") in the currently Orthodox Jeruzalémská Synagogue in Prague reveals an interesting case of a local Jewish community negotiating important values and ideas about the past and belonging. In its newly-established regime of use and value, this formerly ritual object becomes constitutive of localized musical remembrance and a means of reconciling the claims of diverse actors across religious borders.
Název v anglickém jazyce
Musical Remembering with the "Old Lady": Cultural Biography of the Organ in Prague's Jeruzalémská Synagogue with a Focus on Its Present-day Revival
Popis výsledku anglicky
Musical practices can become both the subject and the means of both individual and collective remembering. In the following case study based on my ethnographic fieldwork among the Jewish community in Prague, I understand musical practices as a performative means of constructing certain imagined, culturally-specific continuities from the past, in the present. Since remembering is a selective practice, I am interested in the process itself: what is remembered, what is revived in the present, and what is not? How is the dis/continuity negotiated in practice? The cultural biography of the newly-reconstructed, 113-year-old organ (the "Old Lady") in the currently Orthodox Jeruzalémská Synagogue in Prague reveals an interesting case of a local Jewish community negotiating important values and ideas about the past and belonging. In its newly-established regime of use and value, this formerly ritual object becomes constitutive of localized musical remembrance and a means of reconciling the claims of diverse actors across religious borders.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
—
OECD FORD obor
50404 - Anthropology, ethnology
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Music - Memory - Minorities: Between Archive and Activism
ISBN
978-80-246-4742-5
Počet stran výsledku
24
Strana od-do
114-137
Počet stran knihy
162
Název nakladatele
Karolinum
Místo vydání
Praha
Kód UT WoS kapitoly
—