To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F21%3A10430665" target="_blank" >RIV/00216208:11240/21:10430665 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oB6dAKB.Ff" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oB6dAKB.Ff</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World
Popis výsledku v původním jazyce
Ladislav Klíma is the enfant terrible of Czechoslovak philosophy. His philosophy of egosolism, first developed in the work The World as Consciousness and Nothing (Svět jako vědomí a nic), contrasts sharply with the predominantly rationalist and scientific orientation of the philosophy of his time. The romanticised image of Klíma as a tortured intellectual remains alive mainly thanks to the widespread popularity of his "grotesque romanetto" The Sufferings of Prince Sternenhoch (Utrpení knížete Sternenhocha), which still resonates in Czech society to this day. His philosophy of egosolism or ludibrionism, however, remains shrouded in a veil of mystery; Klíma himself complained before his death that he was mistakenly interpreted as a solipsist. This paper offers an interpretation of egosolism in The World as Consciousness and Nothing as a form of radical individualism, which, through a surprising "twist", calls for active participation in the phenomenal world through play (ludus, from which the word ludibrionism is derived as a complementary term to egosolism), and which is essentially a practical philosophy for ordinany, everyday life. The focus falls on the concepts of the primary and secondary world, will, play and reflection; the goal of the study is to provide an original interpretation of Klíma's egosolism in The World without any reliance on previous interpretations. Klíma ascribes a special role to the method of subjective experiencing of his philosophy, which he considers to be crucial to gaining the right impression and the correct grasp of it. Klíma chose this method with the view of assuring the highest possible authenticity of the offered interpretation. The reasons for this choice are examined in more detail in the concluding part of this paper, which is dedicated to a methodical and stylistic commentary of Klíma's work.
Název v anglickém jazyce
To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World
Popis výsledku anglicky
Ladislav Klíma is the enfant terrible of Czechoslovak philosophy. His philosophy of egosolism, first developed in the work The World as Consciousness and Nothing (Svět jako vědomí a nic), contrasts sharply with the predominantly rationalist and scientific orientation of the philosophy of his time. The romanticised image of Klíma as a tortured intellectual remains alive mainly thanks to the widespread popularity of his "grotesque romanetto" The Sufferings of Prince Sternenhoch (Utrpení knížete Sternenhocha), which still resonates in Czech society to this day. His philosophy of egosolism or ludibrionism, however, remains shrouded in a veil of mystery; Klíma himself complained before his death that he was mistakenly interpreted as a solipsist. This paper offers an interpretation of egosolism in The World as Consciousness and Nothing as a form of radical individualism, which, through a surprising "twist", calls for active participation in the phenomenal world through play (ludus, from which the word ludibrionism is derived as a complementary term to egosolism), and which is essentially a practical philosophy for ordinany, everyday life. The focus falls on the concepts of the primary and secondary world, will, play and reflection; the goal of the study is to provide an original interpretation of Klíma's egosolism in The World without any reliance on previous interpretations. Klíma ascribes a special role to the method of subjective experiencing of his philosophy, which he considers to be crucial to gaining the right impression and the correct grasp of it. Klíma chose this method with the view of assuring the highest possible authenticity of the offered interpretation. The reasons for this choice are examined in more detail in the concluding part of this paper, which is dedicated to a methodical and stylistic commentary of Klíma's work.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
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OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA19-14180S" target="_blank" >GA19-14180S: Individualismus v československé filosofii 1918-1948</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2021
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Filosofický časopis
ISSN
0015-1831
e-ISSN
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Svazek periodika
69
Číslo periodika v rámci svazku
mimořádné číslo 1
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
14
Strana od-do
141-154
Kód UT WoS článku
000754718200013
EID výsledku v databázi Scopus
2-s2.0-85112736698