To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F21%3A10430665" target="_blank" >RIV/00216208:11240/21:10430665 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oB6dAKB.Ff" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=oB6dAKB.Ff</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World

Popis výsledku v původním jazyce

Ladislav Klíma is the enfant terrible of Czechoslovak philosophy. His philosophy of egosolism, first developed in the work The World as Consciousness and Nothing (Svět jako vědomí a nic), contrasts sharply with the predominantly rationalist and scientific orientation of the philosophy of his time. The romanticised image of Klíma as a tortured intellectual remains alive mainly thanks to the widespread popularity of his &quot;grotesque romanetto&quot; The Sufferings of Prince Sternenhoch (Utrpení knížete Sternenhocha), which still resonates in Czech society to this day. His philosophy of egosolism or ludibrionism, however, remains shrouded in a veil of mystery; Klíma himself complained before his death that he was mistakenly interpreted as a solipsist. This paper offers an interpretation of egosolism in The World as Consciousness and Nothing as a form of radical individualism, which, through a surprising &quot;twist&quot;, calls for active participation in the phenomenal world through play (ludus, from which the word ludibrionism is derived as a complementary term to egosolism), and which is essentially a practical philosophy for ordinany, everyday life. The focus falls on the concepts of the primary and secondary world, will, play and reflection; the goal of the study is to provide an original interpretation of Klíma&apos;s egosolism in The World without any reliance on previous interpretations. Klíma ascribes a special role to the method of subjective experiencing of his philosophy, which he considers to be crucial to gaining the right impression and the correct grasp of it. Klíma chose this method with the view of assuring the highest possible authenticity of the offered interpretation. The reasons for this choice are examined in more detail in the concluding part of this paper, which is dedicated to a methodical and stylistic commentary of Klíma&apos;s work.

Název v anglickém jazyce

To Play Like Napoleon : Klíma's Egosolism as a Call to Active Participation in the World

Popis výsledku anglicky

Ladislav Klíma is the enfant terrible of Czechoslovak philosophy. His philosophy of egosolism, first developed in the work The World as Consciousness and Nothing (Svět jako vědomí a nic), contrasts sharply with the predominantly rationalist and scientific orientation of the philosophy of his time. The romanticised image of Klíma as a tortured intellectual remains alive mainly thanks to the widespread popularity of his &quot;grotesque romanetto&quot; The Sufferings of Prince Sternenhoch (Utrpení knížete Sternenhocha), which still resonates in Czech society to this day. His philosophy of egosolism or ludibrionism, however, remains shrouded in a veil of mystery; Klíma himself complained before his death that he was mistakenly interpreted as a solipsist. This paper offers an interpretation of egosolism in The World as Consciousness and Nothing as a form of radical individualism, which, through a surprising &quot;twist&quot;, calls for active participation in the phenomenal world through play (ludus, from which the word ludibrionism is derived as a complementary term to egosolism), and which is essentially a practical philosophy for ordinany, everyday life. The focus falls on the concepts of the primary and secondary world, will, play and reflection; the goal of the study is to provide an original interpretation of Klíma&apos;s egosolism in The World without any reliance on previous interpretations. Klíma ascribes a special role to the method of subjective experiencing of his philosophy, which he considers to be crucial to gaining the right impression and the correct grasp of it. Klíma chose this method with the view of assuring the highest possible authenticity of the offered interpretation. The reasons for this choice are examined in more detail in the concluding part of this paper, which is dedicated to a methodical and stylistic commentary of Klíma&apos;s work.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/GA19-14180S" target="_blank" >GA19-14180S: Individualismus v československé filosofii 1918-1948</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Filosofický časopis

ISSN

0015-1831

e-ISSN

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Svazek periodika

69

Číslo periodika v rámci svazku

mimořádné číslo 1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

141-154

Kód UT WoS článku

000754718200013

EID výsledku v databázi Scopus

2-s2.0-85112736698