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Non-musician DIY Individuals as 'Pillars' and 'Icons' of American DIY Scenes

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F21%3A10435265" target="_blank" >RIV/00216208:11240/21:10435265 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=u7nnOmS3gg" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=u7nnOmS3gg</a>

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Non-musician DIY Individuals as 'Pillars' and 'Icons' of American DIY Scenes

  • Popis výsledku v původním jazyce

    There is little written about non-musician individuals in academic literature about music/cultures. For example, as Jesse D. Ruskin and Timothy Rice establish in their 2012 essay &quot;The Individual in Musical Ethnography,&quot; ethnomusicologists in their studies mostly focus on musician, but rarely on non-musician individuals. The situation is similar in other fields, where scholars perhaps focus more on non-musician aspects of music-making (e.g., music industry), but still place very little emphasis on the study of non-musician individuals. In this article, I therefore center on studying non-musician individuals within the U.S. DIY (&quot;do-it-yourself&quot;) culture, and their central role in shaping, defining, and maintaining particular DIY music spaces, and particular local and translocal DIY music scenes. I focus mainly on organizers of DIY shows, often seen by DIY participants themselves as &quot;pillars&quot; of local DIY music scenes, or sometimes as the embodiment, or &quot;icons,&quot; of those scenes (individual as &quot;the [DIY] scene&quot;). This assertion in itself calls for the examination of non-musician DIY individuals both on material and discursive levels: to study them both as agents and &quot;building blocks&quot; of DIY music scenes, and at the same time, as symbolic, and contested personalities that often define the substance and boundaries of these scenes.

  • Název v anglickém jazyce

    Non-musician DIY Individuals as 'Pillars' and 'Icons' of American DIY Scenes

  • Popis výsledku anglicky

    There is little written about non-musician individuals in academic literature about music/cultures. For example, as Jesse D. Ruskin and Timothy Rice establish in their 2012 essay &quot;The Individual in Musical Ethnography,&quot; ethnomusicologists in their studies mostly focus on musician, but rarely on non-musician individuals. The situation is similar in other fields, where scholars perhaps focus more on non-musician aspects of music-making (e.g., music industry), but still place very little emphasis on the study of non-musician individuals. In this article, I therefore center on studying non-musician individuals within the U.S. DIY (&quot;do-it-yourself&quot;) culture, and their central role in shaping, defining, and maintaining particular DIY music spaces, and particular local and translocal DIY music scenes. I focus mainly on organizers of DIY shows, often seen by DIY participants themselves as &quot;pillars&quot; of local DIY music scenes, or sometimes as the embodiment, or &quot;icons,&quot; of those scenes (individual as &quot;the [DIY] scene&quot;). This assertion in itself calls for the examination of non-musician DIY individuals both on material and discursive levels: to study them both as agents and &quot;building blocks&quot; of DIY music scenes, and at the same time, as symbolic, and contested personalities that often define the substance and boundaries of these scenes.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    50404 - Anthropology, ethnology

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2021

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    American Music

  • ISSN

    0734-4392

  • e-ISSN

  • Svazek periodika

    39

  • Číslo periodika v rámci svazku

    3

  • Stát vydavatele periodika

    US - Spojené státy americké

  • Počet stran výsledku

    26

  • Strana od-do

    365-390

  • Kód UT WoS článku

    000723100400004

  • EID výsledku v databázi Scopus

    2-s2.0-85128596620