The Fundamentals of Milan Kundera's Poetics
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F22%3A10442849" target="_blank" >RIV/00216208:11240/22:10442849 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=LB_G8Ywn8p" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=LB_G8Ywn8p</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Fundamentals of Milan Kundera's Poetics
Popis výsledku v původním jazyce
The study is devoted to the early fundamental starting points of Milan Kundera's work from the 1950s to the 1960s. According to the later authorial stylisation, the novelist is born from the ruins of his lyrical world. This assertion creates an impression of a direct, linear authorial development, in which somewhere at the beginning is Kundera's poetry, which the author later abandons in favour of the novel upon reaching an age of artistic maturity. However, if we follow the actual course of Kundera's poetics, we find that this conception does not correspond with the dynamics of the author's development. This it not only because in the creative phase in which the author wrote poetry, he also wrote his first prose texts, but also because his work as a novelist is dependent upon lyrical devices (metaphors, the evocation of inner experiences etc.). For this reason, in this study I shall focus on defining three creative principles - lyrical, dramatic and novel writing. These poetic principles are not exclusively bound to the corresponding genres. The resulting form of the literary work is determined by their mutual relationship, proportions and configuration (whether this concerns poetry, drama or the novel).
Název v anglickém jazyce
The Fundamentals of Milan Kundera's Poetics
Popis výsledku anglicky
The study is devoted to the early fundamental starting points of Milan Kundera's work from the 1950s to the 1960s. According to the later authorial stylisation, the novelist is born from the ruins of his lyrical world. This assertion creates an impression of a direct, linear authorial development, in which somewhere at the beginning is Kundera's poetry, which the author later abandons in favour of the novel upon reaching an age of artistic maturity. However, if we follow the actual course of Kundera's poetics, we find that this conception does not correspond with the dynamics of the author's development. This it not only because in the creative phase in which the author wrote poetry, he also wrote his first prose texts, but also because his work as a novelist is dependent upon lyrical devices (metaphors, the evocation of inner experiences etc.). For this reason, in this study I shall focus on defining three creative principles - lyrical, dramatic and novel writing. These poetic principles are not exclusively bound to the corresponding genres. The resulting form of the literary work is determined by their mutual relationship, proportions and configuration (whether this concerns poetry, drama or the novel).
Klasifikace
Druh
J<sub>ost</sub> - Ostatní články v recenzovaných periodicích
CEP obor
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OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
<a href="/cs/project/GA18-11753S" target="_blank" >GA18-11753S: Vývoj poetiky Milana Kundery od básnických počátků k Oslavě bezvýznamnosti</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2022
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Renikusa
ISSN
2187-0535
e-ISSN
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Svazek periodika
14
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
JP - Japonsko
Počet stran výsledku
29
Strana od-do
222-250
Kód UT WoS článku
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EID výsledku v databázi Scopus
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