Spatial Creativity as a Method: Resounding Lidice, Sacralization of Silence and Gendered Representations of Trauma at the Lidice Memorial

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F25%3A10513706" target="_blank" >RIV/00216208:11240/25:10513706 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=53WutiUkqk" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=53WutiUkqk</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1177/08883254251366682" target="_blank" >10.1177/08883254251366682</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Spatial Creativity as a Method: Resounding Lidice, Sacralization of Silence and Gendered Representations of Trauma at the Lidice Memorial

Popis výsledku v původním jazyce

After forty years of Communist control of collective memory in public space, in the decades since 1989 all post-socialist countries have witnessed intensive institutional efforts to either reinterpret and resignify existing monuments and memorials of the recent past or build entirely new memorial landscapes. These official projects have exhibited varying degrees of continuity and change in the spatial and gendered constructions of heroism, victimhood, and perpetration, as well as notions of national belonging and collective inclusion/exclusion. As space has been used as a major narrative medium of official, national histories of Nazism and Communism, accordingly, spatial creativity has emerged as a corresponding reaction by diverse actors to express disagreement, outrage, solidarity, or alternative versions of the recent past. The article analyzes one such example of spatial creativity in the post-socialist landscape of the Czech Republic, the spatial audiodrama project Resounding Lidice. Through this case study, the article examines spatial creativity as a stimulating concept to broaden our understanding of post-socialist dealings with the recent past of violence and trauma. The article explores three central questions: How can creativity contribute to democratization of commemorative practices? How can we break the cult of death and reverential silence that often dominate memorial landscapes? How can we support a complex treatment of gender at memorial sites? The article argues that spatial creativity can function as a method to challenge hegemonical commemorative practices; as a form of collective activism, reconciliation, and intergenerational dialogue; and as an opportunity to transcend conventional gendered constructions of collective memory.

Název v anglickém jazyce

Spatial Creativity as a Method: Resounding Lidice, Sacralization of Silence and Gendered Representations of Trauma at the Lidice Memorial

Popis výsledku anglicky

After forty years of Communist control of collective memory in public space, in the decades since 1989 all post-socialist countries have witnessed intensive institutional efforts to either reinterpret and resignify existing monuments and memorials of the recent past or build entirely new memorial landscapes. These official projects have exhibited varying degrees of continuity and change in the spatial and gendered constructions of heroism, victimhood, and perpetration, as well as notions of national belonging and collective inclusion/exclusion. As space has been used as a major narrative medium of official, national histories of Nazism and Communism, accordingly, spatial creativity has emerged as a corresponding reaction by diverse actors to express disagreement, outrage, solidarity, or alternative versions of the recent past. The article analyzes one such example of spatial creativity in the post-socialist landscape of the Czech Republic, the spatial audiodrama project Resounding Lidice. Through this case study, the article examines spatial creativity as a stimulating concept to broaden our understanding of post-socialist dealings with the recent past of violence and trauma. The article explores three central questions: How can creativity contribute to democratization of commemorative practices? How can we break the cult of death and reverential silence that often dominate memorial landscapes? How can we support a complex treatment of gender at memorial sites? The article argues that spatial creativity can function as a method to challenge hegemonical commemorative practices; as a form of collective activism, reconciliation, and intergenerational dialogue; and as an opportunity to transcend conventional gendered constructions of collective memory.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50403 - Social topics (Women´s and gender studies; Social issues; Family studies; Social work)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

East European Politics and Societies

ISSN

0888-3254

e-ISSN

1533-8371

Svazek periodika

39

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

24

Strana od-do

1093-1116

Kód UT WoS článku

001551533500001

EID výsledku v databázi Scopus

2-s2.0-105024817126