Through the transitive nightfall of diamonds: Improvisational experience in psychedelic rock

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A6QQKZABT" target="_blank" >RIV/00216208:11320/25:6QQKZABT - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85191835380&partnerID=40&md5=6fd1121b9edeec4df4c7996c1ffd436d" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85191835380&partnerID=40&md5=6fd1121b9edeec4df4c7996c1ffd436d</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Through the transitive nightfall of diamonds: Improvisational experience in psychedelic rock

Popis výsledku v původním jazyce

Psychedelic music and the interrelationships between its musical dimension and cultural contexts have received extensive scholarly interest over time. However, there is a gap in the literature regarding the significance of psychedelic rock's improvisational practices. The idea around which this essay revolves is that since psychedelia does not have codified musical traits but defines itself by virtue of listeners' meaning attributions, it should also be interpreted, even in its improvisational forms, as a symbolic form. Consequently, psychedelic improvisation should also be interpreted in a multidimensional manner, as each improvisational practice aspires to create a different topos of psychedelic culture. Three dimensions of psychedelic improvisation have been identified. The first is purely instrumental and concerns the use of modes within improvisations, as different aspects of psychedelic culture are generally associated with each harmonic-melodic solution in the musician-listener dialectic. The second dimension concerns technical improvisation, given the purely empirical rather than theoretical approach of psychedelic musicians. The third dimension is the scenic-performative one, which deals with the extension of music to wider sensory (haptic, visual) realities. Finally, the paper explains why the categories identified cannot be applied to other genres culturally close to psychedelic rock and its present-day revivals. © 2024 Peter Lang Group AG, Lausanne. All rights reserved.

Název v anglickém jazyce

Through the transitive nightfall of diamonds: Improvisational experience in psychedelic rock

Popis výsledku anglicky

Psychedelic music and the interrelationships between its musical dimension and cultural contexts have received extensive scholarly interest over time. However, there is a gap in the literature regarding the significance of psychedelic rock's improvisational practices. The idea around which this essay revolves is that since psychedelia does not have codified musical traits but defines itself by virtue of listeners' meaning attributions, it should also be interpreted, even in its improvisational forms, as a symbolic form. Consequently, psychedelic improvisation should also be interpreted in a multidimensional manner, as each improvisational practice aspires to create a different topos of psychedelic culture. Three dimensions of psychedelic improvisation have been identified. The first is purely instrumental and concerns the use of modes within improvisations, as different aspects of psychedelic culture are generally associated with each harmonic-melodic solution in the musician-listener dialectic. The second dimension concerns technical improvisation, given the purely empirical rather than theoretical approach of psychedelic musicians. The third dimension is the scenic-performative one, which deals with the extension of music to wider sensory (haptic, visual) realities. Finally, the paper explains why the categories identified cannot be applied to other genres culturally close to psychedelic rock and its present-day revivals. © 2024 Peter Lang Group AG, Lausanne. All rights reserved.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

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Návaznosti

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Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Ubuntu Fusion Music

ISBN

978-3-631-91092-4

Počet stran výsledku

20

Strana od-do

73-92

Počet stran knihy

326

Název nakladatele

Peter Lang AG

Místo vydání

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Kód UT WoS kapitoly

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