“Baroque Staring”: Caliban in Polish Theater

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3AKRTDT68P" target="_blank" >RIV/00216208:11320/25:KRTDT68P - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85190937849&doi=10.4324%2f9781032649238-5&partnerID=40&md5=9f680c7e24cf51229e888ed0500fcb8a" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85190937849&doi=10.4324%2f9781032649238-5&partnerID=40&md5=9f680c7e24cf51229e888ed0500fcb8a</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.4324/9781032649238-5" target="_blank" >10.4324/9781032649238-5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

“Baroque Staring”: Caliban in Polish Theater

Popis výsledku v původním jazyce

This chapter offers a reading of The Tempest in Polish theater through the lens of critical disability theory to highlight paradigm shifts in the representations of disability that have occurred in the onstage presentation of Caliban. By focusing critical attention on the performance practices in this respect it interrogates the ways of “staring” at disability in the contemporary Polish theater. The two performances of The Tempest staged in Yiddish in 1938 and 2020 showcase ablenationalism at operation in Central and Eastern Europe and allow evidence for the critical role that theater can play in opposing the “eugenic gaze.”. © 2024 selection and editorial matter, Alexa Alice Joubin; individual chapters, the contributors.

Název v anglickém jazyce

“Baroque Staring”: Caliban in Polish Theater

Popis výsledku anglicky

This chapter offers a reading of The Tempest in Polish theater through the lens of critical disability theory to highlight paradigm shifts in the representations of disability that have occurred in the onstage presentation of Caliban. By focusing critical attention on the performance practices in this respect it interrogates the ways of “staring” at disability in the contemporary Polish theater. The two performances of The Tempest staged in Yiddish in 1938 and 2020 showcase ablenationalism at operation in Central and Eastern Europe and allow evidence for the critical role that theater can play in opposing the “eugenic gaze.”. © 2024 selection and editorial matter, Alexa Alice Joubin; individual chapters, the contributors.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Shakespearean International Yearbook: Disability Performance and Global Shakespeare

ISBN

978-1-04-001425-7

Počet stran výsledku

24

Strana od-do

55-78

Počet stran knihy

312

Název nakladatele

Taylor and Francis

Místo vydání

—

Kód UT WoS kapitoly

—