The Corporeal and the Intangible. Puppet Theatre in the Digital Age

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3AC77XNDBK" target="_blank" >RIV/00216208:11320/26:C77XNDBK - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85212045380&doi=10.5817%2FTY2024-2-3&partnerID=40&md5=f180eceda612647a10bb60307cb41aa9" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85212045380&doi=10.5817%2FTY2024-2-3&partnerID=40&md5=f180eceda612647a10bb60307cb41aa9</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2024-2-3" target="_blank" >10.5817/TY2024-2-3</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Corporeal and the Intangible. Puppet Theatre in the Digital Age

Popis výsledku v původním jazyce

In recent years, theatre has increasingly integrated technology, with scholars exploring concepts like ‘liveness’ and ‘mediatization’ (AUSLANDER 1999), ‘presence’ (POWER 2008), and ‘intermediality’ (DERES 2015). However, these discourses have often overlooked puppetry as a medium. This paper argues that it is time to include puppetry in these discussions, particularly where live acting and digital tools intersect. Examining the production Dekameron2023 (Budapest Puppet Theatre), the paper uses Bolter and Gursin’s concepts of immediacy and hypermediacy and proposes to explore the interplay of the ‘corporeal’ (referring to the performer’s body, whether puppet or flesh) and the ‘intangible’ (digital, virtual), celebrating the live human agency in digital-age theatre. © 2024 Elsevier B.V., All rights reserved.

Název v anglickém jazyce

The Corporeal and the Intangible. Puppet Theatre in the Digital Age

Popis výsledku anglicky

In recent years, theatre has increasingly integrated technology, with scholars exploring concepts like ‘liveness’ and ‘mediatization’ (AUSLANDER 1999), ‘presence’ (POWER 2008), and ‘intermediality’ (DERES 2015). However, these discourses have often overlooked puppetry as a medium. This paper argues that it is time to include puppetry in these discussions, particularly where live acting and digital tools intersect. Examining the production Dekameron2023 (Budapest Puppet Theatre), the paper uses Bolter and Gursin’s concepts of immediacy and hypermediacy and proposes to explore the interplay of the ‘corporeal’ (referring to the performer’s body, whether puppet or flesh) and the ‘intangible’ (digital, virtual), celebrating the live human agency in digital-age theatre. © 2024 Elsevier B.V., All rights reserved.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803845X

e-ISSN

23364548

Svazek periodika

27

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

17

Strana od-do

28 - 44

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85212045380