Between Truth and Appearance: Medea’s Emotional Manipulation through gnomai; Entre la verdad y la apariencia: manipulación emocional en Medea a través de gnomai

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3AEGGE7UNE" target="_blank" >RIV/00216208:11320/26:EGGE7UNE - isvavai.cz</a>

Výsledek na webu

<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-105001578256&doi=10.5209%2Fcfcg.99278&partnerID=40&md5=d82e46c681ff3b99c8ebad5770912212" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-105001578256&doi=10.5209%2Fcfcg.99278&partnerID=40&md5=d82e46c681ff3b99c8ebad5770912212</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5209/cfcg.99278" target="_blank" >10.5209/cfcg.99278</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Between Truth and Appearance: Medea’s Emotional Manipulation through gnomai; Entre la verdad y la apariencia: manipulación emocional en Medea a través de gnomai

Popis výsledku v původním jazyce

This work seeks to examine how Medea uses γνωμαι to manipulate the perception of her emotions by her interlocutors. The tragic genre, between its audience and its characters, generates a contrast that results in varying knowledge levels, to ultimately lead to a strong sense of tragic irony. These levels can be helpful in analysing the emotional manipulation. This is an important point to examine γνωμαι and emotions in the context in which they are used, i.e., considering how Medea is presented on scene in terms of emotions, how the other characters perceive Medea, and how γνωμαι are used for this purpose. I will consider the explicit and implicit information provided by γνωμαι regarding who pronounces each of them and their interlocutor, as well as, when possible, the purpose for which they are used. © 2025 Elsevier B.V., All rights reserved.

Název v anglickém jazyce

Between Truth and Appearance: Medea’s Emotional Manipulation through gnomai; Entre la verdad y la apariencia: manipulación emocional en Medea a través de gnomai

Popis výsledku anglicky

This work seeks to examine how Medea uses γνωμαι to manipulate the perception of her emotions by her interlocutors. The tragic genre, between its audience and its characters, generates a contrast that results in varying knowledge levels, to ultimately lead to a strong sense of tragic irony. These levels can be helpful in analysing the emotional manipulation. This is an important point to examine γνωμαι and emotions in the context in which they are used, i.e., considering how Medea is presented on scene in terms of emotions, how the other characters perceive Medea, and how γνωμαι are used for this purpose. I will consider the explicit and implicit information provided by γνωμαι regarding who pronounces each of them and their interlocutor, as well as, when possible, the purpose for which they are used. © 2025 Elsevier B.V., All rights reserved.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Cuadernos de Filologia Clasica

ISSN

19882637

e-ISSN

11319070

Svazek periodika

35

Číslo periodika v rámci svazku

2025

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

14

Strana od-do

189 - 202

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105001578256