The Representation of Holocaust Trauma in The Song of Terezin by Franz Waxman: A Psychoanalytic Listening

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3ALST8QY9R" target="_blank" >RIV/00216208:11320/26:LST8QY9R - isvavai.cz</a>

Výsledek na webu

<a href="https://dx.doi.org/10.1353/aim.2025.a962857" target="_blank" >https://dx.doi.org/10.1353/aim.2025.a962857</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1353/aim.2025.a962857" target="_blank" >10.1353/aim.2025.a962857</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Representation of Holocaust Trauma in The Song of Terezin by Franz Waxman: A Psychoanalytic Listening

Popis výsledku v původním jazyce

The article discusses music as a cultural processor of a social trauma within the Holocaust. According to psychoanalytic music research, music is especially capable of representing trauma via its nonverbal, affective, and bodily-based means of expression. As an analytical example, the study focuses on the vocal and orchestral work The Song of Terezin (1965), composed by the German-American, Jewish composer Franz Waxman and based on poems written by children in the concentration and transit camp of Terezín (Theresienstadt). Drawing on psychoanalytic music analysis, cultural trauma studies, Holocaust studies, and the concept of transitional space, the article outlines the sonic mechanisms by which the composition constructs a discourse of trauma and mourning, illuminating music as a communal vehicle for dealing with collective trauma and as a site for the social healing process.

Název v anglickém jazyce

The Representation of Holocaust Trauma in The Song of Terezin by Franz Waxman: A Psychoanalytic Listening

Popis výsledku anglicky

The article discusses music as a cultural processor of a social trauma within the Holocaust. According to psychoanalytic music research, music is especially capable of representing trauma via its nonverbal, affective, and bodily-based means of expression. As an analytical example, the study focuses on the vocal and orchestral work The Song of Terezin (1965), composed by the German-American, Jewish composer Franz Waxman and based on poems written by children in the concentration and transit camp of Terezín (Theresienstadt). Drawing on psychoanalytic music analysis, cultural trauma studies, Holocaust studies, and the concept of transitional space, the article outlines the sonic mechanisms by which the composition constructs a discourse of trauma and mourning, illuminating music as a communal vehicle for dealing with collective trauma and as a site for the social healing process.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Projekt

—

Návaznosti

—

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American Imago

ISSN

0065-860X

e-ISSN

—

Svazek periodika

82

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

25

Strana od-do

55-79

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105010091512