The toss of the professional and the competitive tennis player: serving from the ad-court
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11510%2F16%3A10326785" target="_blank" >RIV/00216208:11510/16:10326785 - isvavai.cz</a>
Výsledek na webu
<a href="http://dx.doi.org/10.14712/23366052.2016.4" target="_blank" >http://dx.doi.org/10.14712/23366052.2016.4</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.14712/23366052.2016.4" target="_blank" >10.14712/23366052.2016.4</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The toss of the professional and the competitive tennis player: serving from the ad-court
Popis výsledku v původním jazyce
We compared the serve toss of different types of serve when tennis players served from the ad-court. They used different spin on the ball and various ball placements in the opponent's service box. Our aim was to compare the toss in different types of serve between a competitive (local tournament) player and a professional player, from the point of view of the receiving player, when they served from the ad-court. One professional and one competitive tennis player (both right handed) were observed while serving different types of serve to various locations of the opponent's service box. We used a high-speed camera, which was placed opposite to the server in the position of a receiving player. The results showed that the players do not use the same toss for each type of serve. The professional player had a bigger range of racket-ball contact point on horizontal axis (32 cm) of the various types of first serves, compared to the competitive player (only 24 cm). The toss of the kick serve had similar characteristics between both players (the racket-ball contact point was observed to be mostly to the right, from the view of receiver). Neither the professional nor the competitive player showed a stable profile of toss. In some cases
Název v anglickém jazyce
The toss of the professional and the competitive tennis player: serving from the ad-court
Popis výsledku anglicky
We compared the serve toss of different types of serve when tennis players served from the ad-court. They used different spin on the ball and various ball placements in the opponent's service box. Our aim was to compare the toss in different types of serve between a competitive (local tournament) player and a professional player, from the point of view of the receiving player, when they served from the ad-court. One professional and one competitive tennis player (both right handed) were observed while serving different types of serve to various locations of the opponent's service box. We used a high-speed camera, which was placed opposite to the server in the position of a receiving player. The results showed that the players do not use the same toss for each type of serve. The professional player had a bigger range of racket-ball contact point on horizontal axis (32 cm) of the various types of first serves, compared to the competitive player (only 24 cm). The toss of the kick serve had similar characteristics between both players (the racket-ball contact point was observed to be mostly to the right, from the view of receiver). Neither the professional nor the competitive player showed a stable profile of toss. In some cases
Klasifikace
Druh
J<sub>x</sub> - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)
CEP obor
AK - Sport a aktivity volného času
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2016
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Acta Universitatis Carolinae. Kinanthropologica
ISSN
1212-1428
e-ISSN
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Svazek periodika
52
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
9
Strana od-do
58-66
Kód UT WoS článku
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EID výsledku v databázi Scopus
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