Centony: recyklované umění či ztělesnění absolutní intertextuality?

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F07%3A00028080" target="_blank" >RIV/00216224:14210/07:00028080 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Centones: Recycled Art or the Embodiment of Absolute Intertextuality?

Popis výsledku v původním jazyce

The paper discusses the controversy over literary legitimacy of the late ancient centos, i.e. patchwork poems composed entirely of quotations from Homer or Virgil. A succinct historical overview of the cento poetry is followed by a commentary on the cento poetics articulated by Ausonius in his prefatory letter to the Cento Nuptialis. Further, the author presents some of the most characteristic examples of cento criticism. The modes of production of the cento texts are consequently examined from the perspective of modern reception theories, the poststructuralist concept of intertextuality, and, last but not least, the Saussurean differential theory of language. The author comes to the conclusion that, in certain respects, the cento is actually a highlyinnovative and perfectly legitimate literary form.

Název v anglickém jazyce

Centones: Recycled Art or the Embodiment of Absolute Intertextuality?

Popis výsledku anglicky

The paper discusses the controversy over literary legitimacy of the late ancient centos, i.e. patchwork poems composed entirely of quotations from Homer or Virgil. A succinct historical overview of the cento poetry is followed by a commentary on the cento poetics articulated by Ausonius in his prefatory letter to the Cento Nuptialis. Further, the author presents some of the most characteristic examples of cento criticism. The modes of production of the cento texts are consequently examined from the perspective of modern reception theories, the poststructuralist concept of intertextuality, and, last but not least, the Saussurean differential theory of language. The author comes to the conclusion that, in certain respects, the cento is actually a highlyinnovative and perfectly legitimate literary form.

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)

Rok uplatnění

2007

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů