Dramaturgy: The State-Socialist Mode of Production

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00050602" target="_blank" >RIV/00216224:14210/11:00050602 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Dramaturgy: The State-Socialist Mode of Production

Popis výsledku v původním jazyce

To start comparative research of East-Central European film industries, we need, among others, to define the state-socialist mode of production, its systemic variations and socio-cultural expressions. But there is no methodology specifically developed todo so. Thus, we can draw on Janet Staiger?s work on Classical Hollywood Cinema, still the most fundamental model to analyze film production, and try to ask the same set of questions and identify significant differences. I propose to supplement the Staiger?s approach with a socio-cultural perspective, inspired by John Caldwell?s concept of production culture, and ask not just how films were made, but also who made them, what did it mean to be a filmmaker ? the question which seems to be of high importance in countries where so-called cadres (orig. professional revolutionaries) was a keyword and political screening a key instrument for human resource management.

Název v anglickém jazyce

Dramaturgy: The State-Socialist Mode of Production

Popis výsledku anglicky

To start comparative research of East-Central European film industries, we need, among others, to define the state-socialist mode of production, its systemic variations and socio-cultural expressions. But there is no methodology specifically developed todo so. Thus, we can draw on Janet Staiger?s work on Classical Hollywood Cinema, still the most fundamental model to analyze film production, and try to ask the same set of questions and identify significant differences. I propose to supplement the Staiger?s approach with a socio-cultural perspective, inspired by John Caldwell?s concept of production culture, and ask not just how films were made, but also who made them, what did it mean to be a filmmaker ? the question which seems to be of high importance in countries where so-called cadres (orig. professional revolutionaries) was a keyword and political screening a key instrument for human resource management.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů