From Byzantium to Holy Russia. Nikodim Kondakov (1844-1925) and the birth of art history in Russia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00054415" target="_blank" >RIV/00216224:14210/11:00054415 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

italština

Název v původním jazyce

Da Bisanzio alla Santa Russia. Nikodim Kondakov (1844-1925) e la nascita della storia dell?arte in Russia

Popis výsledku v původním jazyce

L?icona medievale e oggi associata, quasi in maniera automatica, a due nomi: quello si Bisanzio e della Russia. L?espressiva, sintetica e ipnotica estetica delle icone medievali e, infatti, nota come la manifestazione piu caratteristica artistica dell?antico impero orientale, ma anche e soprattutto del paese degli Zar. Dato importante, questa percezione non si limita al mondo occidentale: nella stessa Russia l?icona e intesa come una sorta di stendardo nazionale, espressione autentica della cultura delpaese. Poco piu di un secolo e mezzo fa la situazione era pero radicalmente diversa: in Russia e in Occidente l?icona antica era di fatto sconosciuta, mentre Bisanzio e la Russia medievale erano considerate come sinonimo di barbarie e arretratezza.

Název v anglickém jazyce

From Byzantium to Holy Russia. Nikodim Kondakov (1844-1925) and the birth of art history in Russia

Popis výsledku anglicky

The medieval icon is now associated, almost automatically, to two names: Byzantium and Russia. The expressive, concise and mesmerizing beauty of medieval icons is, in fact, known as the most characteristic manifestation of the ancient art eastern empire,but also and above all of the land o the Tsar. As important, this perception is not limited to the western world: in Russia itself, the icon is understood as a kind of national banner, an authentic expression of the culture of the country. Just over a century and a half ago the situation was radically different: in Russia and in the West, the old icon was in fact unknown, while the medieval Byzantium and Russia were regarded as synonymous with barbarism and backwardness. The roots of contemporary perceptions of the medieval Orthodox culture should therefore be sought in the fundamental shift of paradigm which occurred in Greece, but especially in Russia during the nineteenth century with the emergence of a new perception of their natio

Druh

B - Odborná kniha

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-88-8334-643-9

Počet stran knihy

320

Název nakladatele

Viella

Místo vydání

Řím

Kód UT WoS knihy

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