'My dreams presage too true': Dreams as a Dramatic Device in Elizabethan Drama

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00065814" target="_blank" >RIV/00216224:14210/13:00065814 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.wuw.pl/ksiegarnia/product_info.php?products_id=5113" target="_blank" >http://www.wuw.pl/ksiegarnia/product_info.php?products_id=5113</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

'My dreams presage too true': Dreams as a Dramatic Device in Elizabethan Drama

Popis výsledku v původním jazyce

Throughout the entire period of Elizabethan drama dreams were used as a powerful dramatic device. They served as a means of character development (an early type of psychology), popular metaphysics as well as techniques of drama construction. This paper discusses dreams and their role in several plays by Shakespeare, The First Part of the Contention (also known as King Henry VI, Part II), King Richard III, Romeo and Juliet, and in the apocryphal Arden of Faversham and Sir Thomas More. These plays ? although they do not represent all Elizabethan plays that have dreams in them ? may be read and understood within a single context, historically that of the years 1590?93, in which they were all written and performed. As the dramatic function of the dream isanalogical in those plays, the group may be referred to as forming a subgenre of the Elizabethan dream play.

Název v anglickém jazyce

'My dreams presage too true': Dreams as a Dramatic Device in Elizabethan Drama

Popis výsledku anglicky

Throughout the entire period of Elizabethan drama dreams were used as a powerful dramatic device. They served as a means of character development (an early type of psychology), popular metaphysics as well as techniques of drama construction. This paper discusses dreams and their role in several plays by Shakespeare, The First Part of the Contention (also known as King Henry VI, Part II), King Richard III, Romeo and Juliet, and in the apocryphal Arden of Faversham and Sir Thomas More. These plays ? although they do not represent all Elizabethan plays that have dreams in them ? may be read and understood within a single context, historically that of the years 1590?93, in which they were all written and performed. As the dramatic function of the dream isanalogical in those plays, the group may be referred to as forming a subgenre of the Elizabethan dream play.

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

Výsledek vznikl pri realizaci vícero projektů. Více informací v záložce Projekty.

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego

ISBN

9788323510741

Počet stran výsledku

13

Strana od-do

247-259

Počet stran knihy

508

Název nakladatele

WUW

Místo vydání

Varšava

Kód UT WoS kapitoly

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