Ovidian Iconography in the 17th Century Ceiling Paintings of Bohemia and Moravia in European Context

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066118" target="_blank" >RIV/00216224:14210/13:00066118 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Ovidian Iconography in the 17th Century Ceiling Paintings of Bohemia and Moravia in European Context

Popis výsledku v původním jazyce

The presented paper captured selected problems of mythological decorations of Bohemian and Moravian residences in the second half of the 17th century. Bohemian and Moravian decorations of the 17th century were mostly influenced by various graphic models(mainly illustrated prints of Ovid`s Metamorphoses) and various European residences, especially those on the way from Italy to Central Europe (from Italian palaces and villas, through Styrian residences to the residential centres as Vienna etc.). On theexample of the painting production of Carpoforo Tencalla and Giacomo Tencalla were covered mainly questions of the transfer of iconographical and formal motives between Italy and Central Europe and the mutual cohesion between some Bohemian and Moravian paintings and the other European residences.

Název v anglickém jazyce

Ovidian Iconography in the 17th Century Ceiling Paintings of Bohemia and Moravia in European Context

Popis výsledku anglicky

The presented paper captured selected problems of mythological decorations of Bohemian and Moravian residences in the second half of the 17th century. Bohemian and Moravian decorations of the 17th century were mostly influenced by various graphic models(mainly illustrated prints of Ovid`s Metamorphoses) and various European residences, especially those on the way from Italy to Central Europe (from Italian palaces and villas, through Styrian residences to the residential centres as Vienna etc.). On theexample of the painting production of Carpoforo Tencalla and Giacomo Tencalla were covered mainly questions of the transfer of iconographical and formal motives between Italy and Central Europe and the mutual cohesion between some Bohemian and Moravian paintings and the other European residences.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

<a href="/cs/project/GPP409%2F12%2FP101" target="_blank" >GPP409/12/P101: Mytologická témata v nástropní malbě 17. století v Čechách a na Moravě v celoevropském kontextu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů