On Media of Memory and Remembering

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00070961" target="_blank" >RIV/00216224:14210/13:00070961 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.perfomap.de/map4/aufzeichnen%20und%20aufheben/jh-on-media-of-memory-and-remembering" target="_blank" >http://www.perfomap.de/map4/aufzeichnen%20und%20aufheben/jh-on-media-of-memory-and-remembering</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

On Media of Memory and Remembering

Popis výsledku v původním jazyce

The following examination of memory media, from chemical photographs to digital media and reenactments, deals with (human) memory and remembering concepts. These will be treated as metaphors and models, which serve to better understand the media of memory, as well as being a kind of blueprint for them. In other words, media will be metaphorically and literally regarded as representations, simulations, extensions, and prostheses of human memory structures and functions. The aim of this paper is to explore some parallel concepts of memory and remembering which animate our approaches to mediated experiences of the past, the absent, the virtual. The way media memories function will be illustrated by Walter Benjamin?s concept of aura, which he defined in close connection with issues of mediated or technologically reproduced experience, especially within his investigation of the possibility or impossibility of technologically representing an absent (original) work of art.

Název v anglickém jazyce

On Media of Memory and Remembering

Popis výsledku anglicky

The following examination of memory media, from chemical photographs to digital media and reenactments, deals with (human) memory and remembering concepts. These will be treated as metaphors and models, which serve to better understand the media of memory, as well as being a kind of blueprint for them. In other words, media will be metaphorically and literally regarded as representations, simulations, extensions, and prostheses of human memory structures and functions. The aim of this paper is to explore some parallel concepts of memory and remembering which animate our approaches to mediated experiences of the past, the absent, the virtual. The way media memories function will be illustrated by Walter Benjamin?s concept of aura, which he defined in close connection with issues of mediated or technologically reproduced experience, especially within his investigation of the possibility or impossibility of technologically representing an absent (original) work of art.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

MAP - Media | Archive | Performance

ISSN

2191-0901

e-ISSN

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Svazek periodika

4

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

9

Strana od-do

1-9

Kód UT WoS článku

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EID výsledku v databázi Scopus

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