Czechness for Export. Czech Short Films of the 1930s?1950s in the (Inter)national Perspective

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00074980" target="_blank" >RIV/00216224:14210/13:00074980 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Czechness for Export. Czech Short Films of the 1930s?1950s in the (Inter)national Perspective

Popis výsledku v původním jazyce

Czech language and cultural practice established a term "short film" to describe movies lasting a maximum of 20 minutes, which are in other cultural contexts known rather according to their specialization (industrial, commercial, educational), or more generally as "useful". In the Czech context of the 1930s till 1980s, however, it was also legally stated that short films has to be a part of any public screening, as an addition to feature length film, while the state also promoted establishment of specific distribution channels for short films: non-stop cinemas called "Čas" (Time), and various nontheatrical circuits (small-gauge format). In my paper, I take a historicizing look on how and why these different agents (state, institutions) tried to createand shape various forms and facets of citizenship via these films.

Název v anglickém jazyce

Czechness for Export. Czech Short Films of the 1930s?1950s in the (Inter)national Perspective

Popis výsledku anglicky

Czech language and cultural practice established a term "short film" to describe movies lasting a maximum of 20 minutes, which are in other cultural contexts known rather according to their specialization (industrial, commercial, educational), or more generally as "useful". In the Czech context of the 1930s till 1980s, however, it was also legally stated that short films has to be a part of any public screening, as an addition to feature length film, while the state also promoted establishment of specific distribution channels for short films: non-stop cinemas called "Čas" (Time), and various nontheatrical circuits (small-gauge format). In my paper, I take a historicizing look on how and why these different agents (state, institutions) tried to createand shape various forms and facets of citizenship via these films.

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

<a href="/cs/project/EE2.3.30.0009" target="_blank" >EE2.3.30.0009: Zaměstnáním čerstvých absolventů doktorského studia k vědecké excelenci</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů