Searching for the Perfect Sign.Structuralist Theory and Asian Acting Techniques

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F14%3A00074027" target="_blank" >RIV/00216224:14210/14:00074027 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Searching for the Perfect Sign.Structuralist Theory and Asian Acting Techniques

Popis výsledku v původním jazyce

The paper is based on the ongoing research focused on Czech Structuralist thought on theatre and on my research on the linguistic qualities of the Kutiyattam, the traditional theatre of Kerala. The topic is treated in the broader context of acting techniques of Asian theatre genres. My paper will focus on the Kutiyattam's expressive tools and their limitations. I will discuss Asian acting styles from a Structuralist point of view in connection with the works of Czech theatre theorists - e.g. Jiří Veltruský. The main question is whether the Asian theatre genres and their acting techniques could provide a sufficient model of the theatrical sign for "Occidental" theatre theory. I will also discuss the potential of theoretical reflections of Asian theatrepractice for Western theatre theory. The paper also takes into consideration the intercultural discussion of theatre theory from a historical perspective.

Název v anglickém jazyce

Searching for the Perfect Sign.Structuralist Theory and Asian Acting Techniques

Popis výsledku anglicky

The paper is based on the ongoing research focused on Czech Structuralist thought on theatre and on my research on the linguistic qualities of the Kutiyattam, the traditional theatre of Kerala. The topic is treated in the broader context of acting techniques of Asian theatre genres. My paper will focus on the Kutiyattam's expressive tools and their limitations. I will discuss Asian acting styles from a Structuralist point of view in connection with the works of Czech theatre theorists - e.g. Jiří Veltruský. The main question is whether the Asian theatre genres and their acting techniques could provide a sufficient model of the theatrical sign for "Occidental" theatre theory. I will also discuss the potential of theoretical reflections of Asian theatrepractice for Western theatre theory. The paper also takes into consideration the intercultural discussion of theatre theory from a historical perspective.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F11%2F1082" target="_blank" >GAP409/11/1082: Český divadelní strukturalismus: souvislosti a potenciál</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů