Fakes, Forgeries, and Robots

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00085710" target="_blank" >RIV/00216224:14210/15:00085710 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Fakes, Forgeries, and Robots

Popis výsledku v původním jazyce

Karel Čapek's drama character, the artificial worker called Robot from the play R.U.R., Rossum's Universal Robots (1920/21), is a powerful and widespread concept of an embodied artificial intelligence. It can be even said that Čapek articulated a primarygoal of artificial intelligence research in his famous play about Robots. However, his concept of Robot shouldn't be reduced to mere technological invention, similar to those known from Jules Verne?s novels. Rather we should ask ourselves why he wantedto invent the neologism (and the drama character) Robot? It is argued that this is because he needed the new word to be able newly articulate the concept of an (artificial) man for the twentieth century. To show the effect of the Čapek?s neologism the Robot character will be introduced from perspective of theatre semiology, and semiology of fakes and forgeries (I. Osolsobě, U. Eco).

Název v anglickém jazyce

Fakes, Forgeries, and Robots

Popis výsledku anglicky

Karel Čapek's drama character, the artificial worker called Robot from the play R.U.R., Rossum's Universal Robots (1920/21), is a powerful and widespread concept of an embodied artificial intelligence. It can be even said that Čapek articulated a primarygoal of artificial intelligence research in his famous play about Robots. However, his concept of Robot shouldn't be reduced to mere technological invention, similar to those known from Jules Verne?s novels. Rather we should ask ourselves why he wantedto invent the neologism (and the drama character) Robot? It is argued that this is because he needed the new word to be able newly articulate the concept of an (artificial) man for the twentieth century. To show the effect of the Čapek?s neologism the Robot character will be introduced from perspective of theatre semiology, and semiology of fakes and forgeries (I. Osolsobě, U. Eco).

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

VLAK : Contemporary Poetics & the Arts

ISSN

1804-512X

e-ISSN

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Svazek periodika

5

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

7

Strana od-do

514-520

Kód UT WoS článku

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EID výsledku v databázi Scopus

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